"Regardless of the brand of horn we play, the key that horn is pitched in,
the wrap used, or any other variables we chose to throw in, we are all
prisoners of the harmonic series, and masters (if we choose to be) of our
ear."


Well, I hate to differ since the list is always in lock-step agreement on
everything, but the type of wrap can matter.  For example, no matter which
mouthpiece I try, I find the G is unplayable on the lettuce wrap.  It's
possible that I should try this wrap in a different bore, or with a kranz
or possibly use a different oil (should I pair the oil with red wine
vinegar perhaps?) . . . Sadly the G rings like dead vegetation no matter
what I try with that wrap.


I guess the lettuce wrap is a real turkey for me.


-G


Message: 5
 Date: Wed, 4 May 2011 18:54:26 -0700 (PDT)
 From: David McClellan <[LINK:
http://mce_host/[email protected]]
[email protected]>
 Subject: [Hornlist] middle g on the Bb horn
 To: [LINK: http://mce_host/[email protected]]
[email protected]
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 This thread is nothing more than an extention of a recent one about tuning
our horns in a group setting to a given pitch. I can summarize that last
thread by saying "If you have an ear, tuning is over-rated. If you don't,
tuning is for naught".
 ?
 Regardless of the brand of horn we play, the key that horn is pitched
in,?the wrap used, or any other variables we chose to throw in, we are all
prisoners of the harmonic series, and masters (if we choose to be) of our
ear.
 ?
 On my Lawson, the open Bb horn second space A is eminently useable (only
SLIGHTLY flat...a few cents, and easily lipped up, and therefore likewise
the thumb and 1st valve?G below it.) I have no idea why this harmonic is so
in tune on my Lawson and not on my Conn 28D, but who cares? Every horn is
different, even those of the same brand and model. Recommendations by
anyone to anyone else, if you have an ear, are useless. If you are faced
with a?passage technical, lyrical, or otherwise?and others in the section
have that same passage in unison, you each may well finger it differently
depending on your ear, your horn, or your use of the lip and right hand.
All that matters is what is heard in the audience.
 ?
 Again, if you have an ear, all is well. If you don't, all is for naught.
 ?
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