My teacher, Prof. IMG, always played KOPPRASCH NO. 1 outside the theatre in 
 the alleyway during the second act of all the operas, no matter who wrote  
them.  It was particularly effective in the little known opera by Ulrich  
von Schmerzendschwanz, "Die Kopfloshosenscheisser" where Ulli, the hero, is  
trying to wake up his mother in law for the famous "argument scene"  duet: 
Mein hund hat kleines blutsaugendes Insekt-nein, ist   Räude  The Prof. is 
credited for more performances of Kopprasch  No. 1 than anyone else.  The 
reason is that his teacher, the renowned Otto  Fisch never let him past it and 
onwards to the rest of the book(s).  The  only reason that he let me past it 
when I was studying with him is that I did  play it almost right, once.
 
KB
 
 
Hans wrote:
 
two corrections:

1st: I am still alive

2nd: had I  played THE LONG CALL in the 2nd act of La Traviata
just once, I would not  have reached retirement in my orchestra.

But I like that idea !!! May-be  a nice inspiration for our younger 
friends, an idea
working quite well for  those weird ultra post modern productions, nobody
wants to attend, but if  they would know, that there could be a horn player 
or
other surprise  ............. 

############################################
Am  20.05.2011 um 05:53 schrieb [email protected]:

> Hans P  wrote
> 
> Why so much wind about that passage of afterbeats. There  is nothing to 
> practice.
> 
> As soon as you have a  conductor in front, the tempo is kept (more or 
> less) by
> the  conductor.  By the progress of that number, he is getting tired &  
> the tempo gets slower.
> 
> NEVER EVER practice such  afterbeats. This is nonsense. If you need to 
> breath,
> never  mind, breath at any place. Nobody will notice it, if you leave 
> out one  or two of the
> rapid eights, nobody knows that.
> 
>  ********
> This is valuable advice from one of the most experienced horn  players
> who ever lived.  Though he will modestly deny it, I know  for a fact
> that NO ONE has given as many public performances of  the
> Long Call in the second act of La Traviata as Hans.  No  one!
> 
> Gotta go,
> Cabbage
> 
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