Milton, just a courtesy copy. Have to look for your address, but better you 
send it to me.
Give me a while, as I have a lot to do before departing for Asia, but I can 
make you a copy when back early July. Would also be for Peter H. and a few 
others, sorry, not too many, as collecting just shipping fee .... I cannot 
charge anything for a courtesy copy, o.k., but postage would be € 3,45 to my 
Paypal account: [email protected] - and leave your shipping address. Peter & 
Milton, pls accept it as a return for what you helped me out also. Others just 
leave the postage expenses on Paypal.

Regards

Hans

PS: This is not a business offer, but a goodwill service for earnest collectors 
in our community of horn players.

###########################################################
Am 22.05.2011 um 16:54 schrieb Milton Kicklighter:

> I would love to have a recording of this Hans.  When you have it ready for 
> sale, 
> let me know.  
> 
>  
> Milton
> 
> Milton Kicklighter
> 4th Horn Buffalo Philharmonic
> Retired
> 
> 
> 
> 
> ________________________________
> From: Hans Pizka <[email protected]>
> To: The Horn List <[email protected]>
> Sent: Sun, May 22, 2011 1:55:48 AM
> Subject: Re: [Hornlist] Old Schumann Konzertstuck recordings; was Vlatkovic 
> teaching in new movies
> 
> Hello Peter,
> 
> I have here a CD arranged for the 80th birthday of Kurt Richter (1915-2007), 
> who 
> led the hon section of the Dresden Philharmonic (not Staatskapelle !) at age 
> 19, 
> led the horn section of the Hamburg State Opera 1938-1950 & the horn section 
> of 
> the Symphony of the Bavarian Radio in Munich 1950-1978, when he retired, but 
> he 
> continued in the bath orchestra Bad Reichenhall until his late seventies.
> Richter recorded (live) all main concertos of our repertory (special) under 
> Rafael Kubelik, including both Strauss, all Mozart, Weber op.45 & many lesser 
> known gems & a ton of chamber music.
> 
> The recording in front of me is conducted by Roberto Benzi 1972 & features 
> Kurt 
> Richter, Jack Meredith, Guenter Weber & Willi Beck and is from the concert. A 
> fantastic recording.
> 
> Regards from Munich
> 
> Hans
> 
> ##########################################################
> Am 22.05.2011 um 01:49 schrieb Punto:
> 
>> A recording of the K-piece that gets just about no recognition or 
>> mention anywhere, even though it appears to be the very first one 
>> (AFAIK) was done by the hornists Gerhard Goermer, Kurt Krumbein, Georg 
>> Huehne and Karl Himmer (at least that is how they appear on the jacket 
>> of VOX PL 7740; umlauts are likely to have appeared on any German 
>> issue). The accompaniment was by The Pro Arte Orchestra, Stuttgart, let 
>> by Rolf Reinhardt. The pairing is with the Andante and Variations in b 
>> flat minor (2 pianos, 2 celli & horn), which is dredged out of its well 
>> deserved obscurity in this case by the playing of John Barrows. I assume 
>> that the op. 86 was released earlier in Europe than the 1952 copyright 
>> date of this LP, but I have no information on this. Maybe Hans or Bill 
>> Melton or Steve O. has knowledge of it. I have a disc of Goermer doing 
>> one of the Mozart concerti that shares the same miasmal recorded 
>> acoustic of the Vox which wavers and varies with the volume level of the 
>> orchestra.
>> 
>> As I am listening to this recording of the Schumann, I am relatively 
>> impressed by the playing, but there is a fairly rigid and measured feel 
>> to it all. Not surprising that they were not letting it all hang out. I 
>> also have heard what seem to be some very poor splices and one bizarre 
>> cut of 16 measures in the first movement 5 bars after E (letters in the 
>> edition used in the Gumpert excerpt book, vol. 10) to letter F. Still, 
>> the high e at the end of the first movement sings out clear and freely. 
>> Interestingly, there is not even an attempt at the first e in the last 
>> movement (it may well be possible that he played the one at the end, but 
>> I found it impossible to hear one way or the other through the murk and 
>> clamor of the rest of the orchestra), just the alternate c eighth note 
>> is at the top of the descending arpeggio. Overall, I award them the 
>> brass balls award for doing what they did and for how well they did it 
>> back in the day, yet I does trudge along way more than it soars. And, 
>> ooh those nasty cuts and splices (slices, more like it).
>> 
>> I now return you to your regularly scheduled afterbeats and transpositions,
>> 
>> Peter Hirsch
>>> Chris Wilhjelm wrote:
>>> 
>>> I find myself thinking back to my school days when the only recording 
>>> that I could get was that old Nonesuch recording with Barboteu et al 
>>> and I assume they are playing those piston Selmers with no 
>>> "overdrive."  Also amazing.....there must be a really old broadcast 
>>> recording of some of our early 20th century heroes?
>>> =============
>>> 
>>> Chris,
>>> I have reissued the Barboteu, coursier, Dubar Berges recording of the
>>> Schumann on Sotone.  We also have the early 1950s Russian recording >with
>>> Yakov Shapiro.  If you are interested please email me directly.
>>> BTW- The Barboteu Schumann CD is not yet on the website.
>>> 
>>> There was an early 60s recording by the Leipzig Gewandhaus Orchestra / 
>>> Franz
>>> Konwitschny with Peter Damm as first horn. This was reissued by Berlin
>>> Classics with the complete Schumann Symphonies.
>>> 
>>> Cheers,
>>> Steve
>>> 
>>> Steven Ovitsky
>>> www.sotone.com
>>> www.SantaFeChamberMusic.com
>> 
>> 
>> 
>> 
>> 
>> _______________________________________________
>> post: [email protected]
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> 
> _______________________________________________
> post: [email protected]
> unsubscribe or set options at 
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> _______________________________________________
> post: [email protected]
> unsubscribe or set options at 
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