As far as I know, Punto had few students. Two are well known: Andreas Amon (also composer) & J.A.Hanmüller (born 1774). We own Punto´s certificate & recommendation for him. This document is in the State Archives here in Munich & bears Punto´s original seal.
But regarding Tomböck: There is a Viennese tradition of horn playing reaching back to Joseph Leitgeb (not Ignaz, not Leutgeb), Mozarts uncle like (24 years older) close friend, a celebrated virtuoso & special celebrated player, celebrated for his tone quality & lyrical playing. Leitgeb was a close friend to Joseph Haydn also. From there the line went through the Levy (Lewy) brothers, Martin von Rupp to Josef Schantl, who brought "fresh wind" & Karl Stiegler, Gottfried von Freiberg to Friedrich Gabler, Roland Berger & Thomas Jöbstl (now). ########################################################### Am 31.05.2011 um 06:28 schrieb Marc Gelfo: > I've been listening to the lovely Tomböck recording of the Beethoven sonata, > and began to wonder: > > Did Punto have any students? Can we trace any kind of lineage of a horn > playing school back to him? > > Best wishes, > Marc G > _______________________________________________ > post: [email protected] > unsubscribe or set options at > https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hpizka%40me.com _______________________________________________ post: [email protected] unsubscribe or set options at https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/archive%40jab.org
