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[EMAIL PROTECTED] wrote: >-- >[ Picked text/plain from multipart/alternative ] >In a message dated 11/13/2002 5:59:45 PM Central America Standard Ti, >[EMAIL PROTECTED] writes: > > > > >>Both techniques appear not only in numerous modern works, but also >>figure prominently in the very standard symphonic repertoire - e.g. >>flutter-tongue in Strauss' Don Quixote, or the rather inevitable (very >>fast) triple-tonguing in Ravel's Alborada del Gracioso. >> >>So, these techniques should in no way be regarded as optional, but >>rather developed starting at an early stage of every hornists training. >> >> >>David B. Thompson >>Solo Horn, Barcelona Symphony Orchestra >> >> >> > >Hi David, > >Let's not forget the flutter-tongued fff hi C in movement >5 (Cloudburst) of Grofe's Grand Canyon Suite. > >Regards, Jerry in Kansas City >_______________________________________________ >Horn mailing list >[EMAIL PROTECTED] >http://music.memphis.edu/mailman/listinfo/horn > >. >How about The Crapshooters Ballet from Guys and Dolls ? > Gerald M. Darling > > -- _______________________________________________ Horn mailing list [EMAIL PROTECTED] http://music.memphis.edu/mailman/listinfo/horn
