The Nocturno is less taxiing, much less. Have played both things many, manytimes.
BTW: "Auf dem Strom" is available in different keys from my publications (E, Eflat, D & C) to be used with tenor/soprano, Mezzo, Bariton & higher bass or alto voice. O.K., the horn part has just different transposition, but the pianopart had to be set. ............................................... "Howard Sanner" <[EMAIL PROTECTED]> schrieb: > Robert Dickow wrote: > > > > but how can such an easy piece be so > > difficult? > > Though it doesn't go into the extreme upper register, the > tessitura is, overall, pretty high. There is also virtually no > rest. It's similar to the Mendelssohn Nocturne in more than just > the key. Both are much harder, IMHO, than they look on paper. > > That's why it's hard for me, anyway. > > Howard Sanner > [EMAIL PROTECTED] > _______________________________________________ > Horn mailing list > [EMAIL PROTECTED] > http://music.memphis.edu/mailman/listinfo/horn > -- Prof.Hans Pizka email: [EMAIL PROTECTED] tel.: +49 89 903 9548 - www.pizka.de (horn site) with connections to www.pizka.de/Pizka-music.html (publications) - www.pizka.de/PizClasHr.htm (instruments, mouthpieces) www.pizka.de/PizWrHorn.htm (Viennese Horns) - www.pizka.de/mpiece.htm (mouthpieces) www.pizka.de/Pizka-travel.htm (pictures, stories, experiences from my travel) - open soon mail is virus checked _______________________________________________ Horn mailing list [EMAIL PROTECTED] http://music.memphis.edu/mailman/listinfo/horn
