Hello Kerri, taker it easy. It is only one from many experiences of
life. 

And how to overcome:
Do not practise THAT HARD. This is waste of time & energy. Practise
those things you cannot do well & skip the other things you can do very
well already or at least practise things you can do very good. Practise
them just then & when.  Concentrate your effort to the things which have
to be practised every time, e.g. the one long page in the third movement
where you hardly can take any breath. Calculate well your breath points.
Do a lot on the F side where fingering is easier & do passages which are
easier fingered on the Bb-side on the B-side. Both sides will give you a
break (help) at the right place. Where (in the fast triplet thing on
last page) two slured four tongued might help, do it. It depends on your
tongue abilities. This is not changing the text but rather an evidence
of your cleverness. Reduce your sound output in the loud passages to
keep the "emergency package" ready for the last page, etc.

If you drink a beer here & there, well, skip it the next time you plan
to perform, skip it the last two weeks before the performance. This does
not reduce the nervosity, but keeps your mind clear to control
nervosity.

Last well meant advice: if you still don�t get your nerves under
COMPLETE control during the next few years of your study, revise your
plans regarding becoming a professional horn play, revise it to plan
becoming a section player & NEVER  a first, as the nervous demand would
ruin you. Be a better section player, an over qualified section player,
is much better & more satisfying than becoming a under qualified & thus
very nervous 6 frustrated principal player. Well meant. It is up to you.


-----Urspr�ngliche Nachricht-----
Von: [EMAIL PROTECTED]
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Auftrag von Kerri C Davies
Gesendet: Mittwoch, 2. April 2003 13:48
An: [EMAIL PROTECTED]
Betreff: [Hornlist] Nerves and Gliere

Oh man, you guys. I feel totally worthless.

I performed the third movement of the Gliere concerto yesterday at State
contest yesterday and earned  a two, not a one, which I had practiced
for
for months. I got really nervous and really played horribly. If I would
have played up to my normal quality it would have been a one, or really
close. I'm sure this has happened to you guys before, and it is
happening
more and more often to me. What good is a horn player who plays decent
as
long as he doesn't play in front of other critics? This is my senior
year
in high school, and was my last chance. It is quite frustrating to know
how hard you've practiced, and that this is all you can amount to. Any
suggestions or comments? I want to become a professional horn player and
teacher of the horn, is this possible for me to achieve it?

Thanks, everyone.
        Brittany Davies, Fort Myers, Florida
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