It is also done with the Knechtel concertos (2), Pokorny etc., but we mostly know just the "elaborated" text by the editors. ======================================================
MIchael Haydn: thank you Hans for your reply. This explains the practice of improvising on baroque concerti, but I have only heard it done on the M. Haydn, not on the (admittedly few) recordings I have heard of other baroque concerti. Is it just then that the MH is the most often performed of these and a "modern tradition" has developed which has yet to reach other pieces? All the best, Lawrence "žaes ofereode - žisses swa maeg" http://lawrenceyates.co.uk _______________________________________________ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/hans.pizka%40t-online.de _______________________________________________ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
