I believe he also recorded it that way, at least it sounds like it.  

Chris




--- jgschreck <[EMAIL PROTECTED]> wrote:
> I believe the passage was intended to played on the natural harmonics;
> however, most people play the passage on valves. Barry Tuckwell encouraged
> me to play it on the natural horn when I played the piece for him in the mid
> 1980s.
> 
> John Schreckengost
> Chicago, IL
> 
> message: 20
> date: Mon, 23 Feb 2004 10:38:13 EST
> from: [EMAIL PROTECTED]
> subject: [Hornlist] Bozza En foret
> 
> A friend of mine had the following questions.
> 
> I am working up Bozza's En foret for a recital this spring, and came up with
> a question:
>     Do the markings sons naturels indicate that the passages so annotated be
> played as if on a natural horn
> That marking appears in the Leduc edition (i) in the recitative between
> rehearsal numbers 4 and 5; (ii) at 5, and (iii) at 7.  The first two appear
> after
> passages marked  sons bouches,  suggesting that sons naturels simply means
> "open;" however, the marking at 7 appears after a passage (the quotation of
> Victimae paschali laudes ) which is apparently to be played open.  Moreover,
> the
> next sound marking is a plein son at 8, suggesting that sons naturels might
> mean
> something other than simply "open."
>      The only recording I have heard of this piece is Cerminaro's; he plays
> the sons naturels  passages in ordinary open fashion on the valved horn.  He
> makes no use of the natural horn sound anywhere in the piece .  Considering
> that
> En foret is attributed to be a contest piece (pour cor chromatique ), it
> seems to me that the composer would have intended to include at least one
> passage
> in natural horn style.
> 
> Gotta go,
> Cabbage
> 
> 
> _______________________________________________
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