Eldon Matlick wrote, in part: >Identify harmonic suspensions, appogiaturas, and other points of >expression. >Let clashing notes on suspensions get weight/energy and let the >resolution relax the tension.
This is a very important (and often overlooked) point. It is particularly easy to get sloppy about this if you are performing a lot of 20th century music and don't mentally "switch gears" when performing tonal music. --Susan Thompson _______________________________________________ post: [EMAIL PROTECTED] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
