Thatīs why e.g. R.Strauss used transposition a lot to get the horn parts cleaned somewhat.
PS: And there is no humour or satyr inherited, as most horn players (of the Bb-side) go paranoic if they encounter parts just in E-major (five sharps for the horns), regarding those as finger-breakers. ======================================================== -----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: Friday, October 29, 2004 5:49 AM To: [EMAIL PROTECTED] Subject: Re: [Hornlist] Theoretical Minor Keys revisited Indeed. However, it might actually be quite satirical to try to write something with 7 sharps and 5 double sharps... * _______________________________________________ post: [EMAIL PROTECTED] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
