I think that correct equipment is important. If it wasn't, we could each just go out into the forest, carve ourselves a mouthpiece, and be ready for the pros. However, do your search with the aid of a competent horn teacher (this is different than just anyone that teaches horn). They will help you determine the best route for you to take to reach your objective. You will probably find that it may take a combination of changes within yourself and maybe your equipment.
Some time ago I played on an 8D that was made about 8 or 10 years ago. I got a very bright, almost tinny sound and was very unhappy with it. It went on to another home quickly. However, when I play on my Elkhart 'H' series or my Patterson conversion 8D, it sounds too much like a baritone on recordings--not what I want either. Therefore I'm still working on my sound issues. I wish I had recorded the first 8D to see what it sounded like in the audience, as I'm definitely looking for something that has more color in the sound by the time it reaches the audience. Equipment can make a tremendous amount of difference. However, don't try to fight the battle yourself, as you may end up wandering aimlessly in a forest of equipment, when the solution may be wholly within yourself. Get a good horn teacher, even if just for a short time, to help you develop a plan, and you will find that is the best money you can invest in your horn playing future. Joyce Maley http://www.cornetconnection.com >I missed some of the conversations about mouthpieces, but I am having >trouble > filling up an 8d. Sounds too flute like. I know the sound I want to get > but > am not getting it. Does anyone have any ideas about mouthpieces in this > area... > > Ron _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org