Yes, you are right, but you did not understand what I was
pointing out:

The importance of melody & toner before the number of notes
played within a certain short time frame.

Off course, the technical abilities are a prerequisite for
every player, but extreme fast double & triple tongue are
not the most important abilities  nor are it finger rattles
up & down. They are necessary, off course, but they are not
helpful to show the true character & the beauty of the horn.
============================================================
=================================================== 

-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Mark Taylor
Sent: Wednesday, March 23, 2005 11:30 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Horn Digest, Vol 27, Issue 27


All these are important. Speed, agility, accuracy,
cantabile, line, sound, ensemble playing, improvising and
more.  This is not and either/or situation.

Oops. Meant "not AN either/or situation." Got to typing too
fast, there


Mark


On 3/23/05 1:00 PM, "[EMAIL PROTECTED]"
<[EMAIL PROTECTED]> wrote:

> ------------------------------
> 
> message: 8
> date: Wed, 23 Mar 2005 07:19:32 +0100
> from: <[EMAIL PROTECTED]>
> subject: RE: [Hornlist] Valve cleaning

> Last comment: is it necessary to play the valve action at
maximum 
> speed like a flute or clarinet, or is it better if the
valve works 
> exactly in closing & opening ? What is more important in
the music: 
> valve speed or tone quality or number of notes played or
quality of 
> the notes ?
> 
> I cannot understand why some people have the Foerster
(just an 
> example) as their favourite piece ? Do they have
difficulties 
> producing any fine cantilena or any melody containing
longer notes 
> than 1/8ths ?

> _______________________________________________
> post: horn@music.memphis.edu
> http://music.memphis.edu/mailman/listinfo/horn
> 
> End of Horn Digest, Vol 27, Issue 27
> ************************************

http://www.mark-taylor.biz


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