I agree, Josh, good observation but I feel your advice is misleading about
pressure... Your observation doesn't change the fact that most professional
horn players use a moderate to heavy amount of pressure. I will not cite an
article to prove that, but I will stand by that statement. We are not
playing through oboe reeds, we are playing through lips. Albeit, good brass
players have the MUSCULATURE to support this pressure and press back at the
mouthpiece. That is the difference between an inexperienced player trying to
push to get the notes out, and a player who can use pressure to his
advantage: in order to seal the lips during high resistance playing (high
and loud, and low playing esp.)

I will however say that a very small percentage of people seem have en
embouchure that permits them to play without much pressure at all. Peter
Damm comes to mind, although no one else notable.

Please feel free to flame me, if you're a professional horn player who can
play a Mozart concerto with your horn hanging from the ceiling on a string.

Aleks Ozolins
NYC

-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Hans
Sent: Saturday, May 21, 2005 2:14 PM
To: 'The Horn List'
Subject: RE: [Hornlist] Oboe Reeds in horns, was pressure

Josh, very interesting observation, which confirms my own
experience. But, without personal critics, isnīt it
"aperture" & not "aparture" ???
========================================== 

-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Saturday, May 21, 2005 6:18 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Oboe Reeds in horns, was pressure

Because everyone can't be Bill Vermuelen and might want to
be, here is a neat 
little trick to see how the aparture works.   

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