Now, here it is so you can have the correct knowings of  the makings of all 
your clams!
 
THE LEXICON OF CLAMOLOGY
by
PROFESSOR I. M. GESTOPFTMITSCHEIST
 
NO-SPEAKY - A late entrance due to the lack of vibration of the embouchure.  
Considered by most horn players to not be a "true clam."
 
PHWOP - Falling of to below the pitch on the end of the last note of a  
passage usually in
diminuendo.
 
PHWAP - Sailing to above the pitch on the end of the last note of a passage  
usually in
diminuendo.
 
PHWUP - A No-Speaky at the end of a long diminuendo causing the note to end  
earlier
that printed.  Again, considered by most players not to be a  "true clam."
 
PHREEP - A soft miss of a note from either above or below usually only  heard 
and
noticed by your colleagues in the horn section and not the  conductor or the 
audience.
 
SCHPLAT - A loud miss of a note from either above or below either upon  
entrance or in
the course of a passage.  Must have an indefinite pitch  at its inception 
before arriving on
the printed note.
 
SCHPLEAH - A loud miss of a note from above.  Must have a definite  pitch at 
its
inception.  Similar to a Baroque appogiatura in  sound.
 
SCHPLOOEE - Same as a Schpleah, but from below.
 
SCHPLADAT - A very rapid Schplat.  Can be doubled into  a
SCHPLADATSCHPLADAT and tripled and quadrupled as well.  The sky's the  limit 
on
this one.  When enough SCHPLADATS are coupled together that the  pitch of the 
printed
note is never distinguished, it becomes a SCHPLADATANDO. 
 
SCHPHLOINK - A very long No-Speaky on an entrance where the listener and  
player
are kept in suspense as to if when the note will speak.   Sometimes coupled 
with a
Schpleah, Schplooee, or Schpladat to become a  SCHPHLOINKTER.
 
SCHPHLINK - A Schphloink occuring in the middle of a passage.   Sometimes 
coupled
with a Schpleah, Schplooee or Schpladat to become a  SCHPHLINKTER.
 
SCHPLOIEEOIEEOI - Encircling the printed note from above and below, never  
getting
on the pitch, but clearly marking the pitch of the notes above and  below.  
Usually occurs
in the middle of slow passages but occaisionally  occurs upon entrance.
 
Prof. I. M.  Gestopftmitscheist
Principal 8th horn and Principal 4th Wagner Tuber,  Schplittenotendorf am 
Oedland Staatsoper und Philharmoniker, (ret.)
Solo  Horn, Bad Corner Brass Quintet
Hornist, Broken Winds WW  Quintet
Solo 4th Horn (Leader, call me for bookings), Smirnoff Horn  Quartet
Assistant Associate Principal Mellophone, NJ Turnpike Authority Drum  and 
Bugle Corps, "The Phantom Lane Changers" (summer only)
Hornist as Needed,  L'Ensemble du Chambre des Palourdes
Principal Natural Horn, I Soloisti di  Feces
Principal Baroque and Hunting Horn, Camarata Vongoleforte
Adjunct,  Part-time, Arms-length Professor of Horn and Pest Control, Exit 2 
Community  College, Exit 2, NJ (Ret.)
Adjunct, Part-time, Arms-length Professor of Horn,  Pest Control and Home 
Petroleum Studies, Northern New Hampshire Technical  Institute, Bad Corner, NH
Author, "The Kopprasch Connection," "Kopprasch for  Fun and Profit," 
"Kopprasch for the New Millenium: Where Do you Fit In?" "Hooked  on Hornonics," 
and 
"What If Saddam Had Given Ouday and Qusay Olds Ambassador or  Conn Pan American 
Single F Horns and a Kopprasch Book Instead of AK 47's, Booze  and Porn?" 
Founder, Director and CEO, Universal Institute for the  Study, Preservation 
and Dissemination of Kopprasch Throughout the Solar  System
Founder and Guru Extraordinaire, Hornaholics Anonymous
Grand Poobah  of the Koppraschian Kult
Director and Program Manager, The All Kopprasch  Channel (AKC), Kopprasch 
Public Radio (KPR)
Host of The Kopprasch Factor on  AKC and All Kopprasch Considered on KPR
Founder of Kopprasch Depot, your one  stop shop for all you need!
Owner-Operator, Bad Corner Petroleum Laboratory,  " The Worlds Largest Valve 
Oil Factory"
Founder and Disseminator of CLAMSAA,  the Universal Holiday for Horn Players
Interplanetarily Known Soloist and  Artist of Record
Exclusive Bundy, Carl Fischer, Olds Ambassador, Sansone and  Conn Artist Who 
Does Not Get His Horns For Free
Phone: yes
Fax:  yes
E-mail: yes
Website: no
 
"The greatest clam you can make in life is to be continually fearing you  
will make one."
 
 
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