A wide bell throat and a speedily expanding leadpipe diminishes slotting.

But the mouthpiece is a factor also. The more narrow and the longer the 
cylindrical "throat"
portion of the mpc is, the better the total set-up will slot.

When I was in full playing shape, I hated tight slotting, as my fairly strong 
embouchure and my
quite exact ears were better served with myself being in command of the 
intonation. I use a fairly
large, but now discontinued, Giardinelly 18mm flat and narrow rim with a sharp 
inner edge. The cup
is a Giardinelli J4, where I have opened up the backbore and modified the 
throat (to have no
cylindrical portion).

I damned (sorry) well recognise the wish by high horn players to have tight 
slots. I have been
there. But after I specialised in playing the lowest part, be it 2nd or 4th, I 
preferred a freer
approach to intonation control. (Tight slots are fine, if they are in tune, but 
does the ideal
horn/mouthpiece combo exist?).

I even have played the solo flugelhorn part in a Tyrolean band on my Syhre Bb 
descant horn (named
corno da caccia) utilising the same mouthpiece. Tough on endurance, but not on 
musical output.

Klaus Smedegaard Bjerre

--- Steve Freides <[EMAIL PROTECTED]> wrote:

> Would someone care to list the variables involved in how well a horn "slots"
> its note?  I recall reading that non-leaky valves are important but I'd like
> to know what else is a relevant variable, e.g., do larger bore horns tend to
> slot better or worse?  What about overall pitch level, e.g., do Bb horns
> tend to slot better than F horns.  Is there anything about a mismatch of
> parts, e.g., can a change of leadpipe change how well a horn slots, or a
> change of mouthpiece?
> 
> Or are all these things less relevant individually than the overall quality
> of the horn - does a good horn slot better than an inexpensive horn?
> 
> I know we've discussed this in the past, I'm just trying to get together a
> mental checklist for my own edification, apologies for the redundancy.


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