Hello Rachel and others,

Jim Winter was a man of a vast knowledge not only regarding
the horn. It was a great pleasure talking with him. I can
say that I was most happy to have Jim Winter as guest in my
house many years ago (1989). I miss this distinguished
professor very much.

To the wagnertubas:
They are not out of tune but seem to be so  - for our
regular embouchure. We are not used to play with an open
bell. That is the most severe problem when playing Wagner
tuba. There are a lot of alternate fingerings helping a lot.
The holding position is most important too. Most set it on
the left leg or between the legs instead holding it infront
of them freely, so the leadpipe points to the lips like
playing the trumpet. This certain posture will give you a
better feeling for the instruments characteristics & you can
play it like you play the horn. It is most important,
exploring the position of the several pitches, as they are
different to the horn in several ways - AND store these
positions in your memory. 

Then it is most necessary to know which note of a chord is
the most prominent (it shifts around in the quartet, e.g. in
Elektra it will shift from chord to chord to another
player). If this is known to the players, it will work. It
is more a matter of balance than intonation. Our ears are
not used too, to have the sound so near. This disturbs
further.

And one has to know the pieces very well, to come in with
the best intonated pitch. If players shift around with their
sound while playing together with others, it results in an
terrible howling, we all do not want.

So, even here, where we employ the Wagnertubas a lot, we do
a special rehearsal one hour before every performance, even
we had an orchestra rehearsal the same morning. We do it, to
get used to the wagnertuba quartet sound everytime.

Kindest greetings

Hans
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-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of harveycor
Sent: Friday, July 14, 2006 6:01 AM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Jim Winter

>from: Steve Tarter <[EMAIL PROTECTED]>
>I have just heard that the horn world has lost another
great 
>statesman...<snipt> James Winter (a former teacher, mentor
and 
>friend<snipt>

Hornfolks:
   Jim's kindly intervention is one big reason I still play
horn today.  He was playing in the Fresno Philharmonic when
they did Bruckner 8.
   I had been hired in to sub on one of the extra
horn/Wagner tuba parts and was given an extra mouthpiece for
the tuba in order to facilitate swaps between the two.  We
held extra tuben rehearsals before every single full
orchestra set including the dress and concert for purposes
of tuning the instruments (which were horrifically out of
tune to begin with).
   After just one week of this, my chops gave out for no
discernable reason.
I had no idea that part of this was due to the fact the
mouthpieces had different rim sizes.  Other byplays in the
tuben section compounded difficulties.
   After a particularly rough rehearsal where nothing seemed
to go right, Jim followed me backstage as he had noticed the
entire tuben section was having severe problems close to
concert time.
  He concluded that I was having some serious trouble with
my chops after I described the difficulties and very kindly
offered me lessons at his home to attempt to diagnose and
remedy the problem.
   It only took him about 5 minutes to inform me that the
mouthpieces were different.  In addition, I had been
unconsciously 'dropping my jaw'; thereby increasing the
aperture of my embouchure to a point where generating a buzz
was almost impossible without using heavy pressure (not at
all in my book).
   After one hour of lesson and about two days of practicing
on some particular etudes (as well as giving up one of the
mouthpieces) and I was as good as new.
   We all recognize Jim as an outstanding hornist in his own
right as well as an excellent teacher.  I also  recognize
him as one of the kindest people I have had the privilege to
work with.
   I thanked Jim before, many years back on this very
list-and I shall do so again for the last time.  Jim, you
will be sorely missed.

Rachel Harvey
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