A perusal of any Tchaikowsky score will reveal dynamics ranging from ppppp to FFFFF. Unfortunately, novices and careless players will relish the thought of playing very strongly, to the point of making crass, unmusical sounds.
Tchaikowsky uses dynamics differently than many other composers. Sometimes his strongest volume indications designate those sections of high impact and musical importance, rather than sheer volume. Also, a glance at the score will find dynamics univerally applied to all voices (at least many times) in tutti sections. However, for all instruments to play these tremendously loud, or soft, dynamics misses the point. In any ensemble, dynamics are relative. A competent musician will listen carefully (or do score study) to always know who has the melody. For instance, if the strings or winds have the melody and the brass have sustained notes or repeated rhythmic patters, these subsidiary parts must be adjusted in volume so that important lines are clearly defined. I have heard countless public school and university ensembles that exhibit poor balance because of the lack of critical listening. Tchaikowsky and Schumann are especially problematic with ensemble balance and clarity. Performers should always try to 'voice' themselves within the ensemble. Not all dynamics are created equal. While a FFF may be written, in actuality the true performed dynamic may be only mezzo-forte. Thus, all players should guard against overbalancing in ensembles. Especially when louder dynamics are indicated. As folks in Kentucky say, 'everything is relative.'* *No flames please. I grew up in KY! Sincerely, Dr. Eldon Matlick, Horn Professor, University of Oklahoma Principal Hornist, OK City Philharmonic 500 W Boyd Norman, OK 73019 (405) 325-4093 off. (405) 325-7574 fax Conn-Selmer Educational Artist http://ouhorns.com __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
