Hans, you are the man. I have always been uncomfortable in H , the notes didn't center where I wanted to hear them. In short I felt like I had to manipulate the pitches to get the right tonality. All of this because of how I was thinking about the the transposition. I have always known c# is not Db etc. how the note should be treated as a leading tone, M3, m3 etc. Why I like the tonality of Db M better than than C# M. I just never thought about it relating to transposition. Thank you so much for your advice. Rob Schmidtke
hans <[EMAIL PROTECTED]> wrote: But how do you manage the double flats then ? And you get the different imagination. #-tonalities are seen different than bb-tonalities, and heard different too. Is it really so difficult to implement the tritonus, just half the octave ??? ============================================================ ==================================================== -----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of rob schmidtke Sent: Wednesday, August 30, 2006 4:19 AM To: horn@music.memphis.edu Subject: [Hornlist] Brahms 2 I always think of H like horn in C then flat everything Rob Schmidtke --------------------------------- Yahoo! Messenger with Voice. Make PC-to-Phone Calls to the US (and 30+ countries) for 2ยข/min or less. _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/hans%40pizka. de _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/rob_schmidtke%40yahoo.com --------------------------------- Stay in the know. Pulse on the new Yahoo.com. Check it out. _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
