Of course someone has to come up with an exception... In Dvorak's Symphony from the New World in the last movement the horn parts go from E to F and back to E. I assume that was written for the valved horn, so there are no crook changes. Why was this done? To keep the horn players on their toes? Does this happen for any other instrument?
Herb Foster --- hans <[EMAIL PROTECTED]> wrote: > ... > The half step solution is not necessary as practical it > seems to be on the first look. Half step tonality changes > are rarely requested. You wuill have enough time allways, > except if the conductor & producers are that crazy ignorants > of musical principle that rests or intermissions are part of > the music. Changes within one single number dont got > halfstepwise but rather follow the complementary tonality > principle or pairwise principle. > ... __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
