It is easy enough to pick up the orchestra pitch when you make an entrance in a piece. Does anyone have suggestions on honing in on a pitch when it comes at the very beginning of the piece when there is no reference. Play, listen and adjust? How can all players come closest to getting it right the first time? _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
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