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Being a little on the obtuse side, I resisted the whole notion of buzzing,
because I just couldn't see the point. I had the privilege to have a lesson
w/ Wendell Rider in July & he took me thru the paces with buzzing the
mouthpiece using air only to gently slide, glissando style up and down a
step or two from second line G. Nothing big, dramatic, just slowly & gently
up & down with air while resisting the urge to "lip it." I was "fuzzy" on
why I was doing it, but I've persisted with the hope that I'd eventually
grasp the concept. It's been a month now that I've spent just a few minutes
a day buzzing & I'm starting to see, feel & hear benefits from it. It
helping me get the "feel" of finer control of the air stream & it's effect
on pitch & tone. I tend to be too "lippy" & the gentle slow buzzing using
only air to raise & lower the pitch gives me another tool to develop better
tone. Hmmm.... Does this make sense to anyone? ~Valerie, balanced
embouchure student
- [Hornlist] Re: Mouthpiece buzzing Valerie WELLS
- Re: [Hornlist] Re: Mouthpiece buzzing Reba McLaurin
- [Hornlist] Re: mouthpiece buzzing Wendell Rider
- Re: [Hornlist] Re: Mouthpiece buzzing Richard