Yes, Valerie, you have understood it right. All has to be
played with "about" the same embouchure setting. The only
difference is it, to open more or to close  the opening
between the lips by the use of the jaw more, but in a very
sublime manner. This can work only, if you use not more than
the "necessary" vertical pressure, where vertical means
mouthpiece verse lips. Inserting the mouthpiece just at the
border of the red flesh of the lower lip helps a lot. It is
the wrong way to play the extreme low notes with protruding
lips as seen so often.

Hope this helps a bit. If you have more questions, please,
ask again. 

Greetings through the language barrier.

Hans




-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Valerie WELLS
Sent: Monday, January 21, 2008 11:30 PM
To: horn1 list
Subject: [Hornlist] Tuning a double horn(playing sharp)


Hans, thank you for your comments.  However, I'm not sure I
understand what you are trying to tell me.  Do you mean that
when I work on low horn parts, I'm setting in the lower lip
too deeply (Einsetzen?) pulling the lips apart too much and
it is causing cramping?  Do you mean that I should be using
the same basic embouchure "set up" for all my playing?
Please clarify across the pond & our language barriers as
best you can.  Thank you.
Valerie  
 
< It means, that you cramp the one or the opposite way.
Whynot playing all relaxed with less vertical
pressure,mouthpiece set at the edge of the lower lip so it
pulls thelip opening open enough ? You would soon find out
that youplay more relaxed without getting sharp or flat.
Gettingflat due to playing low parts ? Why ? Because you
aredigging into the ground instead of playing the low
notesjust as other notes. Try it ! Just practising the one
or theother extreme does not improve
anything.>_______________________________________________
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de


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