Sir G.
I'm worried that you may be getting straight into strenuous exercises
before your lips are warmed up and mobile. (Assuming you are an
amateur like me:) If you can't jump lightly from a middle C (written)
to the C below, accurately and reliably, then you are not ready to
play the notes above the c in the third space. Just a guideline.
Simon
On 2008/12/13, at 3:00, horn-requ...@music.memphis.edu wrote:
message: 8
date: Fri, 12 Dec 2008 11:12:52 -0500
from: sirgallihad <sirgalli...@gmail.com>
subject: Re: [Hornlist] A Practicing dilemma
Well, my warmup consists of mainly a mix of arbans, farkas and
Carouseau.
Then I move on to studies by Conconne, Maxime-Alphonse, Kling,
sometimes
kopprash, sometimes Gallay. After that is pieces, Mozart 1 2nd mvt,
mozart
2, 1st, mozart 3 1st exposition, hindemith sonata in F, and then
when I have
time, excerpts, right now working on Mahler 6 and haydn variations by
Brahms. This is obviously not every day, but a mix of all these,
practicing
the ones that are most urgent.
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