I agree entirely with both of you. My point is that if the OP buys a worn 8d, it may turn out to be a very expensive mistake. If what he really wants to do is _learn_ horn repair it doesn't matter if the horn never ends up playable. Take some dents out. Accidentally put a hole in it then learn about annealing. Patch it. Desolder and resolder some joints. For $100 it would still be a cheap learning experience. I guess an old trumpet or other instrument might be cheaper.
Kit > I'll echo what Richard said. I troll eBay regularly looking for horns > that I can fix up and re-sell for a profit. But, the thing is, I never > buy any because for the most part, they go for too much in their decrepit > state to leave any room for profit. That's with me doing the work myself, > and I'm fast and good. Case in point, I had a silver plated 6D a few > years ago, pretty leaky and not a great player but kinda cool looking > because of the silver. Early '50s. I got 800.00 for it on eBay. A > couple of years later I got another one, same thing. I completely rebuilt > the valves - tight baby!, replaced the leadpipe and a couple of slide > crooks with brand new silver plated ones to match. Took out all the > dents. It played great! I got 825.00 for it on eBay. Now, maybe that > was about right (this was a few years ago), but the first one certainly > went for way too much! > > - Steve Mumford > > - > > Kit Wolf wrote: > > > Look on Ebay and get a really beat up horn for $100 - or less. The more > beat-up, the more you'll learn. And it won't matter so much if you make > > a serious mistake. > > ---------- > and then Richard wrote: > > In my experience, none of these assertions is valid. First off, smashed up > old > 8D's go for ridiculously high prices. For less than $100 you can get any > number of single F horns except Yamaha's. Many can be rewarding learning > projects. When you get done, you may be able to sell it for a bit more > than you > paid for it. Any double horn you pick up for less than $100 will be a > nightmare > to repair and probably won't be playable when you get done. > > Horns that are complete disasters take a lot of experience to untangle. > You > learn more by starting with horns that need relatively minor repairs and > work > you way up to progressively more complex situations. Note that only about > 1/2 - > 2/3 of the junkers I pick up can be restored to where I'm willing to list > them. The rest await the torch where they are disassembled for parts or > recycling. ("NO DISASSEMBLE! NO DISASSEMBLE!" - Johnny 5) > > I have a few horns listed on hornplayer.net, and my write-ups give some > idea > (simplified) of what I had to do to get them to market. Look for my two > King and > one Yamaha doubles. I also have a couple of very good playing single F > horns > there, that have been languishing for over a year. > > Regards, > Richard Hirsh > > > > > _______________________________________________ > post: horn@music.memphis.edu > unsubscribe or set options at > http://music2.memphis.edu/mailman/options/horn/c.j.l.wolf%40newcastle.ac.uk > -- Sometimes my Email program gives the wrong return address. If you have any trouble replying to me, use 'c.j.l.w...@newcastle.ac.uk' and not 'n802...' Sorry for any confusion _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org