By Faith Meredith
Meredith Manor
http://meredithmanor.com


When new students first arrive here at Meredith Manor,
we need to evaluate their current riding capability so
that we can match them up with appropriate horses. So
everybody starts out with evaluation rides on our
"goldie oldies" to see how they do and moves on to
other horses from there.

A "goldie oldie" is a schoolmaster, a horse with a
rich and sophisticated vocabulary or understanding of
aid pressures. These horses are not the same as
"babysitters". A babysitter is a horse that is
programmed in a routine and will perform that routine
even if its rider asks for it the wrong way. The
schoolmaster, by contrast, understands and responds to
a full range of nuances within a corridor of aids.
Since we know that the horse is very knowledgeable,
its response to the new student's application of aids
tells us volumes about what the rider already knows or
still needs to learn at this point.

The "green" horse is the opposite of a goldie oldie.
This is a horse that has no vocabulary at all yet or
only a limited one. The most sophisticated rider
cannot get on a green horse and perform upper level
dressage movements or run through a complicated
reining pattern. The rider could ask for shapes and
movements correctly but the horse, no matter how
willing, simply would not understand what was being
asked.

The schoolmaster that understands and responds to fine
nuances of aid pressures can help a less sophisticated
rider develop better feel and timing. The rider who
understands more than the green horse can help that
horse develop a richer vocabulary that will enable it
to communicate with its riders with more finesse and
precision. Most horses and riders fall somewhere
between these two extremes. Our challenge, of course,
is to match each student with a variety of horses so
the student has a chance to both learn and teach.

Sophisticated communication between a horse and rider
requires that both develop a rich vocabulary. That is
accomplished step by small step with each step
building on the ones before. First, both the green
horse and green rider need to become mentally and
physically relaxed. Then both must develop balance and
rhythm. Next, the rider needs to understand what
sequences of aid pressures create the feeling of
certain shapes in the horse. The horse must develop an
understanding that when it feels pressures in a
certain sequence and it shapes its body a certain way
in response to those pressures, they go away.

These aid pressures form a very basic vocabulary that
communicates to the horse what the rider wants. When
the horse understands the shapes those aid pressures
communicate, their communication moves to another
level. Then nuances of aid coordination and feel
within a whole corridor of pressures can be added that
alter the meaning of the whole corridor to create new
understandings.

Developing relaxation, balance and rhythm is like
first learning to talk and say words that someone else
can understand. You can think of aid pressures as
those words and a sequence or corridor of aid
pressures as a sentence made up of those words. The
larger the rider's vocabulary and the larger the
horse's vocabulary--the more words they know--the more
sentences they can build and the more precisely they
can communicate specific meanings. Changing nuances
like timing, intensity of a pressure, or the
co-ordination of aids can then subtly alter the
meaning of a rider's communication just as changing
the tense of a verb or the declension of a noun can
alter the meaning of two sentences built of basically
the same words.

You can talk to an adult and to a 2-year-old but the
complexity of those conversations is going to be very
different because of your different vocabularies and
degrees of understanding. Similarly, you may have a
fantastic vocabulary in English but if you learn to
speak Spanish or French, your communication will be
much more limited because you lack the same richness
of vocabulary.

Understanding the differences or similarities between
a horse's vocabulary and that of its rider is
important in understanding how to react to a given
training situation. If a sophisticated rider is on a
green horse, for example, the rider will make
allowances for the horse's limited vocabulary. If the
horse doesn't respond to a sequence of aids, the rider
may simply reapply those aids and quietly reapply
those aids again until a light bulb goes off in the
horse's head.

If that same rider was on a goldie oldie, however, and
the horse didn't respond as they expected, the rider
would consider the horse's feedback and decide if they
had co-ordinated the aids imprecisely or whether the
horse's understanding needed to be reinforced by
intensifying some part of the corridor of aids.

Developing and using a rich riding vocabulary takes
time. A horse doesn't go from green to goldie oldie
overnight. A rider doesn't go from beginner to expert
overnight, either. A rider can't apply the aids with
real sophistication until he or she has learned how to
ride in a relaxed way, in rhythm with the horse, with
an independent seat. Even then, a rider cannot ask the
horse to perform at the upper levels until the rider
has the strength and fitness to apply the aids
correctly with the proper nuances of vocabulary.

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