Dear Palaniappan, Harivamsha chapters 106--113 (critical edition) narrates the story of Krishna's family's conflict with Bana. At the end of chapter 112 Bana, his extra arms having been severed by Krishna's discus, dances at Nandin's instigation in order to receive successive boons from Shiva. The critical apparatus is particularly rich in these chapters, so it is worth looking to see whether any more dancing is mentioned there.
All the best, from Simon Brodbeck. ________________________________ From: INDOLOGY <[email protected]> on behalf of Sudalaimuthu Palaniappan via INDOLOGY <[email protected]> Sent: 18 August 2021 23:04 To: Indology List <[email protected]> Subject: [INDOLOGY] Bāṇāsura stories External email to Cardiff University - Take care when replying/opening attachments or links. Nid ebost mewnol o Brifysgol Caerdydd yw hwn - Cymerwch ofal wrth ateb/agor atodiadau neu ddolenni. Dear Indologists, In the Cilappatikāram, the Tamil epic often dated ca. 5th century CE, the courtesan Mātavi performs 11 dances possibly based on puranic themes. Of these 11, four deal with dances performed by Kṛṣṇa, Viṣṇu, Indrāṇi, and Manmatha as part of their conflict with Bāṇāsura. I would appreciate any references to the story of Bāṇa in Sanskrit sources. Do these Sanskrit sources mention any such dances? Also, how does the Sanskrit tradition explain the kingship of Bāṇa in light of Vāmana sending Bali to the netherworld? Thank you in advance. Regards, Palaniappan
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