As far as I know, National Archives Nepal does not allow the NGMPP microfilms 
or any scans  from manuscripts or documents to go online. The reason ist the 
same as Jonathan mentioned: they want to make money. The situation is terribly 
complicated and many colleagues have suffered from it. However, you can always 
ask for a permission to publish the copies, and the South Asia Institute branch 
office of Heidelberg University in Patan is ready to give you assistance: see 
here: https://www.sai.uni-heidelberg.de/kathmandu/

What we do in our project on cataloguing and editing  historical documents from 
the NGMPP collection (https://abhilekha.adw.uni-heidelberg.de; 
https://nepalica.hadw-bw.de/nepal/catitems/searchpage but unfortunately today 
not reachable due to maitenance work), we publish images under a special 
agreement with a low resolution .

Best,
Axel


__________________________________________________

[cats]

Prof. Dr. Axel Michaels
Senior Professor

Centre for Asian and Transcultural Studies (CATS)
Südasien-Institut / South Asia Institute
Universität Heidelberg

Vossstr. 2, Geb. 4130
D-69115 Heidelberg

T: +49-6221-5415209
E: [email protected]<mailto:[email protected]>
W: https://www.sai.uni-heidelberg.de/krs/abteilung/michaels.html
      www.hadw-bw.de/nepal.html<http://www.hadw-bw.de/nepal.html>, 
https://www.hadw-bw.de/en/research/research-center/nepal-heritage-documentation-project-nhdp






From: INDOLOGY <[email protected]> on behalf of 
"[email protected]" <[email protected]>
Reply to: Harry Spier <[email protected]>
Date: Sunday, 10. April 2022 at 14:56
To: "[email protected]" <[email protected]>
Subject: [INDOLOGY] NGMCP images and copyright law

Dear list members,
Does anyone know, if according to international copyright law, the manuscript 
images of the  NGMCP (Nepal German Manuscript Cataloguing project) will 
eventually go into public domain. And if so, when.  Or do the agreements signed 
between the project and the Nepal government supercede this, and the Nepal 
government has copyright for the images forever.
Thanks,
Harry Spier
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