1. Rufus Wainwright, _Poses_:  The grower to his
debut's shower, this paean to excess un-camps camp,
staking its tent firmly in the wilds of over-the-top,
uncontrollable and uncontrolled emotion and desire. 
Nestled in arrangements both more rock and more
baroque than the first album's, never has excess
sounded so, well, *sincere.*  A masterwork awaiting
your discovery.

2. Mary J. Blige, _No More Drama_:  Speaking of
un-camping camp, this girl samples the theme from _The
Young and the Restless_--in a song called "No More
Drama," no less--and makes it work (here's the
zinger)*without irony.*  Mary proves, again, that no
singer working in soul--scratch that: in
*music*--today can deliver emotions as truthfully and
as uniquely as she.  Even when the emotion in question
merely involves getting crunk upon it with your peeps
in the dancery.

3. Bob Dylan, _Love and Theft_:  Tweedly dum and
tweedly dee indeed.  Who knew what ribald jester lay
within Dylan's increasingly craggy exterior?  Anyone
who saw him leering at blonde coeds in his recent tour
audiences, that's who.  The music here consists mostly
of genre exercises, albeit damn good ones, but the
album's real surprise and pleasure is its humor,
whereby Elder Statesman #1 finally proves his command
over *every* verbal mode imaginable.

4. Jill Scott, _Experience 826+_:  Live albums are
supposed to suck, right?  Well, try this one, which
outdoes the studio record by at least half.  Fully
reimagined tracks highlight the boho sista's ability
to wail, beatbox, tickle your funny bone, and win your
heart.  See a trend?  For such an awful year, 2001's
best music was big on laughs and love.  Somehow that
makes perfect sense.

5. Sam Phillips, _Fan Dance_: Sam's usual vanilla
melodies and acid pith sound here like they were
recorded on a Wurlitzer.  One of the best marriages of
songs and production ever.  Live she played the piano
backing tracks straight into her microphone from a
tinny tape recorder--which she then proceeded to shake
violently.  If all singer-songwriters were this funny,
they'd also be this relevant.

6. Radiohead, _Amnesiac_:  In my book these guys are
not so much the world's best as the world's only rock
band left--even during knob-twiddling experiments like
this one.  The music in Thom Yorke's head seems to
leap forth fully formed like an offspring of Zeus. 
The best part?  With a good pair of phones you can
transplant these quirky kids straight from his head to
yours.  Sweet, fucked up dreams.

7. Maxwell, _Now_:  Somehow amidst all the hype around
the decade-old neo-soul revolution, this boy still
found the space and tenacity to turn the grooves of
his earlier records into real songs.  Sure, at times
he sounds just like Prince--but Prince rules,
remember?  This bouncyfunkysmooth record is made for
vertical and horizontal dancing, while the studio
cover of Kate Bush's "This Woman's Work" outdoes both
her original and his previous unplugged rendition. 
When he breaks from the falsetto, so does your heart.

8. Daft Punk, _Discover_:  "One More Time" is the
worst song on this record, nothing more than
listenable Cher without the warble or the Bob Mackie. 
The ringing chimes and flatulent vocals across the
other tracks remind of you of that time when hip-hop
sounded just like house and it all wore day-glo.  When
was that time--1989 or never?  All of the above.

9. Yahzarah, _Hear Me_:  Indie labels aren't just for
angsty white boys with too much Camus on their hands. 
They're also for nurturing the quirkyjazzy talents of
this former Badu girl.  Her voice is a trumpet
unzipping your trousers--on the rooftop.  Sultry,
sassy, and smooth.

10. Syleena Johnson, _Chapter 1: Love, Pain &
Forgiveness_:  Her tone ranges from Tina Turner to
Toni Braxton, always raising a quiet storm not
suffered since the death of Phyllis Hyman.  If
churchgoing Lane Bryant black women made amazingly
melodic contemporary R&B records they'd sound like
this.

10. The Strokes, _Is This It_

Singles:

Aaliyah, "We Need a Resolution"
Blu Cantrell, "Hit 'Em Up Style (Oops)"
Britney Spears, "I'm a Slave 4 U"
Maxwell, "Lifetime"
Mary J. Blige, "Family Affair" and "No More Drama"
Garbage, "Androgyny"
Madonna, "Don't Tell Me"
Janet, "All For You"
'NSYNC, "Gone" (though Shai could've sung it better)
Kylie Minogue, "Can't Get You Out of My Head"
Missy Elliott feat. Nelly Furtado, "Get Ur Freak On"
  remix
Basement Jaxx, "Romeo"
No Doubt, "Hey Baby"

--Michael


=====
____________________________________________________
"I could do better
 But there's no one quite like you."

--Maxwell, "No One"

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