I met a man in Montreal once in the "M" section of a record store who was looking 
through the Joni CDs. I told him I was a fan too and we looked through some of them 
together. He said he only liked her music up until Wild Things Run Fast because after 
that, he said, "Her voice got yucky." 

I actually prefer the husky alto to her peaks-n'-valleys soprano of days gone by. I 
think her voice reached its ideal pitch in the mid to late 70s when it could glide 
seamlessly over many octaves and multi-syllabic phrases with ease. But I agree that 
the critics will generally not be kind to Joni's singing capabilities this time 
around. I noticed the deterioration of her voice even since Both Sides Now but tend to 
like it's rusty effect, over all.

I liked the comparison someone made of Joni's voice to a horn. It is very brassy these 
days, sort of trumpet-like and squeaky on the trills. 

However, I think it will only serve to marginalize her even further. If fans of her 
work are finding it distracting, imagine what the mainstream public will think. They 
won't really know what to make of it. 

I imagine touring this album may prove to be difficult for Joni if her voice is in 
rough shape.

-Andrew
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