Here is the review of Travelogue, published in today's
Detroit Free Press, 
Sunday, December 1, 2002.  I typed it as it was, including
any flaws it might contain!

Best, 

Gary Zack

POP

Joni Mitchell - Travelogue (Nonesuch) ***

Mitchell, who turned 59 in November, would undoubtedly
resent having this elegantly packaged and produced (by
ex-husband Larry Klein) two-CD set labeled as "pop."  But
this tour through her back catalog, in which songs as widely
known as "Woodstock" and as faintly remembered as "The
Dawntreader" are revisited and reconsidered in various
settings - many with a 70-piece orchestra and choir -
doesn't really fit really any category aside from "art."

In recent interviews, Mitchell sounds like a crank convinced
that the world has gone to hell in a handbasket, but her
basket has at least been beautifully embroidered, drawing
our attention to the delicate craftsmanship in even the most
confessional of her songs, like the early "The Last Time I
Saw Richard," with its indelible opening line; "The last
time I saw Richard was Detroit in '68, and he told me, all
romantics meet the same fate someday / Cynical and drunk and
boring someone in some dark cafe."

There is nothing here even remotely boring, and Mitchell
certainly sounds sober, but the loss of her romantic ideals,
with the accompanying cynicism, can be heard in her feathery
vocals and the lost-horizon arrangements by Klein, who finds
a lighter touch than on her last orchestrated CD of
standards, "Both Sides Now."

Some of these songs, especially the jazz-inflected "God Must
Be A Boogie Man" and "Trouble Child" have been improved by
their new, spatial surroundings, and the core band, which
includes longtime collaborators Wayne Shorter on saxophone
and Herbie Hancock on piano, Klein on bass and the fine
Brian Blades on drums, brings out the best in her vocals. 
But there was little to be improved on in "Amelia" and "For
The Roses," even though it's interesting to hear them
reinterpreted.  What one misses are those giggles and
hiccups that once punctuated - and sometimes deflated - her
stern pronouncements on the state of things.  We already
took you seriously, Joni. 

By Terry Lawson, Free Press staff writer

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