> I do like the packaging, and the cds in a book idea, and seeing glimpses > of Joni's life as a painter. That is all beautifully done and a pleasure > to look through. And I'll probably be listening again to T'log and > finding the highlights (Unchained Melody being one I recall) and trying > to ignore the rest.
I find myself also liking the snappier jazz numbers on Travelogue. As for Chinese Cafe/Unchained Melody, I found the arrangement lacking and somewhat muddy in all its lushness...too lush maybe and not enough body to it. Just the other day, I listened once again to the "Joni/James 1970 live performance in London." It is so strikingly beautiful and I love listening to it. I don't get the same reaction from listening to Travelogue...I listen more out of curiosity and out of a love for Joni Mitchell and her music rather than a love for Travelogue itself. For the most part, I think whatever joy I get from it is somewhat of a sentimental nature. This is not meant to be a criticism of Joni or to date her but just an honest observation, comparing my enjoyment of these two particular recordings, regardless of how I feel towards her as an artist. I have seen Kansas a few times in the past several years and I found Steve Walsh to have similar problems in his vocal delivery, especially on songs like "Dust in the Wind." He just can't sing them well anymore...it is a strain on his voice. While I enjoyed seeing them it definately took something away from the performance. I don't know if this is possible but I feel that I share both Kate's response and Azeem's. There is a part of me that loves hearing these songs and another part that can't stand it. As far as not liking everything an artist does, Neil Young has put albums out several times that many of his fans were less than thrilled about. I don't think they admire him any less for that but just accept it for what it is. Victor in Asheville --- Victor Johnson --- [EMAIL PROTECTED] Visit http://www.cdbaby.com/victorjohnson Look for the new album "Parsonage Lane" in March 2003 Produced by Chris Rosser at Hollow Reed Studios
