Git commit 00fe18f869048b0725106639c2679ecdb61fa81b by Burkhard L?ck. Committed on 28/01/2013 at 20:10. Pushed by lueck into branch 'master'.
remove outdated/broken links + old themes settings description added new first run screenshots fixed screenshot path to enable showfoto to pull these in M +4 -5 digikam/color-management.docbook M +30 -30 digikam/editor-enhance.docbook M +1 -1 digikam/editor-filters.docbook M +- -- digikam/firstrunassistant_step1.png M +- -- digikam/firstrunassistant_step2.png M +- -- digikam/firstrunassistant_step3.png M +- -- digikam/firstrunassistant_step4.png M +- -- digikam/firstrunassistant_step5.png M +- -- digikam/firstrunassistant_step6.png M +- -- digikam/firstrunassistant_step7.png M +- -- digikam/firstrunassistant_step8.png M +10 -135 digikam/index.docbook M +2 -2 digikam/menu-descriptions.docbook D +- -- digikam/setupthemeclean.png D +- -- digikam/setupthemedark.png D +- -- digikam/setupthemedefault.png D +- -- digikam/setupthemedessert.png D +- -- digikam/setupthemedigicasa.png D +- -- digikam/setupthemedreary.png D +- -- digikam/setupthememarine.png D +- -- digikam/setupthemeorangecrush.png D +- -- digikam/setupthemesandy.png http://commits.kde.org/digikam-doc/00fe18f869048b0725106639c2679ecdb61fa81b diff --git a/digikam/color-management.docbook b/digikam/color-management.docbook index b88d31e..b9dbb56 100644 --- a/digikam/color-management.docbook +++ b/digikam/color-management.docbook @@ -38,7 +38,7 @@ <screeninfo></screeninfo> <mediaobject> <imageobject> - <imagedata fileref="542px-CIExy1931_sRGB_svg.png" format="PNG"/> + <imagedata fileref="&path;542px-CIExy1931_sRGB_svg.png" format="PNG"/> </imageobject> <textobject> <phrase></phrase> @@ -85,7 +85,6 @@ <itemizedlist> <listitem><para><ulink url="http://www.creativepro.com/article/the-darkroom-makes-a-comeback"; /></para></listitem> <listitem><para><ulink url="http://www.creativepro.com/article/the-darkroom-makes-a-comeback-part-2-"; /></para></listitem> - <listitem><para><ulink url="http://www.kevinmillsphoto.com/Articles/OfficeLightingArticle.html"; /></para></listitem> <listitem><para><ulink url="http://www.lrc.rpi.edu/programs/nlpip/lightingAnswers/fullSpectrum/abstract.asp"; /></para></listitem> </itemizedlist> </sect3> @@ -209,7 +208,7 @@ <listitem><para>If you are working in 8-bits rather than 16-bits, choose a smaller rather than a larger working space to avoid clipping and banding. </para></listitem> <listitem><para>For archival purposes, convert your raw file to a 16-bit tiff with a large gamut working space to avoid loosing color information. Then convert this archival tiff to your medium-gamut or large-gamut working space of choice (saving the converted working tiff under a new name, of course). </para></listitem> </orderedlist></para> - <para>For more information on choosing a working space, see <ulink url="http://www.brucelindbloom.com/Info";>this page</ulink>, Information about RGB Working Spaces for a visual comparison of the gamut (array of included colors) of the various working color spaces. See <ulink url="http://www.luminous-landscape.com/tutorials/prophoto-rgb.shtml";>here</ulink> and <ulink url="http://www.cambridgeincolour.com/tutorials/sRGB-AdobeRGB1998.htm";>here</ulink> for a pro- and con- presentation, respectively, of the merits of using large gamut working spaces. And while you are on the cambrideincolour.com website, check out the tutorial on color management. </para> + <para>For more information on choosing a working space, see <ulink url="http://www.brucelindbloom.com/";>this page</ulink>, Information about RGB Working Spaces for a visual comparison of the gamut (array of included colors) of the various working color spaces. See <ulink url="http://www.luminous-landscape.com/tutorials/prophoto-rgb.shtml";>here</ulink> and <ulink url="http://www.cambridgeincolour.com/tutorials/sRGB-AdobeRGB1998.htm";>here</ulink> for a pro- and con- presentation, respectively, of the merits of using large gamut working spaces. And while you are on the cambrideincolour.com website, check out the tutorial on color management. </para> </sect3> </sect2> @@ -329,7 +328,7 @@ <para>One practical consequence of the gamma of a working space is that the higher the gamma, the more tones are available for editing in the shadows, with consequently fewer tones available in the highlights. So theoretically, if you are working on a very dark-toned (low key) image you might want a working space with a higher gamma. And if you are working on a high key image, say a picture taken in full noon sunlight of a wedding dress with snow as a backdrop, you might want to choose a working space with a lower gamma, so you have more available tonal gradations in the highlights. But in the real world of real image editing, almost everyone uses working spaces with either gamma 1.8 or 2.2. </para> <para>Some people are trying to standardize on gamma 2.0. sRGB and LStar-RGB are not gamma-based working spaces. Rather, sRGB uses a <ulink url="http://en.wikipedia.org/wiki/SRGB";>hybrid gamma</ulink>, and LStar-RGB uses a luminosity-based tonal response curve instead of a gamma value - see <ulink url="http://www.colormanagement.org/en/workingspaces.html";>here</ulink> for more information, and then google around for more in-depth information. </para> - <para>In addition to gamma 1.8 and gamma 2.2 the only other gamma for a working space that gets much mention or use is gamma 1.0, also called linear gamma. <emphasis>Linear gamma</emphasis> is used in HDR (high dynamic range) imaging and also if one wants to avoid introducing gamma-induced errors into one's regular low dynamic range editing. Gamma-induced errors is a topic outside the scope of this tutorial, but see <ulink url="http://www.4p8.com/eric.brasseur/gamma.html";>Gamma errors</ulink> in <ulink url="http://www.21stcenturyshoebox.com/essays/color_reproduction.html";>picture scaling,</ulink> for gamma-induced color shifts; and of course Timo Autiokari's somewhat infamous <ulink url="http://www.aim-dtp.net/";>website</ulink>. </para> + <para>In addition to gamma 1.8 and gamma 2.2 the only other gamma for a working space that gets much mention or use is gamma 1.0, also called linear gamma. <emphasis>Linear gamma</emphasis> is used in HDR (high dynamic range) imaging and also if one wants to avoid introducing gamma-induced errors into one's regular low dynamic range editing. Gamma-induced errors is a topic outside the scope of this tutorial, but see <ulink url="http://www.4p8.com/eric.brasseur/gamma.html";>Gamma errors</ulink> in <ulink url="http://www.21stcenturyshoebox.com/essays/color_reproduction.html";>picture scaling,</ulink> for gamma-induced color shifts. </para> <para>Unfortunately and despite their undeniable mathematical advantages, linear gamma working spaces have so few tones in the shadows that (in my opinion) they are impossible to use for editing if one is working in 8-bits, and still problematic at 16-bits. When the day comes when we are all doing our editing on 32-bit files produced by our HDR cameras on our personal supercomputers, I predict that we will all be using working spaces with gamma 1; Adobe Lightroom is already using a linear gamma working space "under the hood" and Lightzone has always used a linear gamma working space. </para> <para>Which working space: <emphasis>large gamut</emphasis> or <emphasis>small gamut</emphasis></para> @@ -340,7 +339,7 @@ <listitem><para>For images intended for the web, use (one of the) sRGB (variants - there are several). </para></listitem> <listitem><para>For the most accuracy in your image editing (that is, making the most of your "bits" with the least risk of banding or clipping when you convert your image from your working space to an output space), use the smallest working space that includes all the colors in the scene that you photographed, plus a little extra room for those new colors you intentionally produce as you edit. </para></listitem> <listitem><para>If you are working in 8-bits rather than 16-bits, choose a smaller space rather than a larger space.</para></listitem> - <listitem><para>For archival purposes, convert your raw file to a 16-bit tiff with a large gamut working space to avoid loosing color information. Then convert this archival tiff to your working space of choice (saving the converted working tiff under a new name, of course). See <ulink url="http://www.21stcenturyshoebox.com/essays/scenereferredworkflow.html";>here</ulink> for more details.</para></listitem> + <listitem><para>For archival purposes, convert your raw file to a 16-bit tiff with a large gamut working space to avoid loosing color information. Then convert this archival tiff to your working space of choice (saving the converted working tiff under a new name, of course). See <ulink url="http://simon.tindemans.eu/essays/scenereferredworkflow";>here</ulink> for more details.</para></listitem> </orderedlist> <para>The WHYs of these bits of advice regarding which working space are beyond the scope of this tutorial. See Bruce Lindbloom's excellent website (<ulink url="http://www.brucelindbloom.com/";>Info, Information about RGB Working Spaces</ulink>) for a visual comparison of the gamut (array of included colors) of the various working color spaces. See <ulink url="http://www.luminous-landscape.com/tutorials/prophoto-rgb.shtml";>here</ulink> and <ulink url="http://www.cambridgeincolour.com/tutorials/sRGB-AdobeRGB1998.htm";>here</ulink> for a pro and con presentation, respectively, of the merits of using large gamut working spaces. And while you are on the <ulink url="http://www.cambridgeincolour.com/tutorials/sRGB-AdobeRGB1998.htm";>cambrideincolour.com</ulink> website, check out the tutorial on color management. </para> diff --git a/digikam/editor-enhance.docbook b/digikam/editor-enhance.docbook index 7b3d4ad..cd70df7 100644 --- a/digikam/editor-enhance.docbook +++ b/digikam/editor-enhance.docbook @@ -89,7 +89,7 @@ End: <screeninfo>The Sharpen Tool in Action</screeninfo> <mediaobject> <imageobject> - <imagedata fileref="editorsharpenplugin.png" format="PNG" /> + <imagedata fileref="&path;editorsharpenplugin.png" format="PNG" /> </imageobject> </mediaobject> </screenshot> @@ -132,7 +132,7 @@ End: <para> <inlinemediaobject> <imageobject> - <imagedata fileref="unsharpdialog.png" format="PNG" /> + <imagedata fileref="&path;unsharpdialog.png" format="PNG" /> </imageobject> <textobject> <phrase>Unsharp Mask Dialog</phrase> @@ -164,7 +164,7 @@ End: <para> <inlinemediaobject> <imageobject> - <imagedata fileref="unsharppreview.png" format="PNG" /> + <imagedata fileref="&path;unsharppreview.png" format="PNG" /> </imageobject> <textobject> <phrase>Unsharp Mask Tool in Action</phrase> @@ -194,7 +194,7 @@ End: <para> <inlinemediaobject> <imageobject> - <imagedata fileref="refocusdialog.png" format="PNG" /> + <imagedata fileref="&path;refocusdialog.png" format="PNG" /> </imageobject> <textobject> <phrase>Refocus Dialog</phrase> @@ -313,7 +313,7 @@ End: <para> <inlinemediaobject> <imageobject> - <imagedata fileref="refocus-notsharpened.png" format="PNG" /> + <imagedata fileref="&path;refocus-notsharpened.png" format="PNG" /> </imageobject> </inlinemediaobject> </para> @@ -327,7 +327,7 @@ End: <para> <inlinemediaobject> <imageobject> - <imagedata fileref="refocus-sharped.png" format="PNG" /> + <imagedata fileref="&path;refocus-sharped.png" format="PNG" /> </imageobject> </inlinemediaobject> </para> @@ -341,7 +341,7 @@ End: <para> <inlinemediaobject> <imageobject> - <imagedata fileref="refocus-unsharpmask.png" format="PNG" /> + <imagedata fileref="&path;refocus-unsharpmask.png" format="PNG" /> </imageobject> </inlinemediaobject> </para> @@ -355,7 +355,7 @@ End: <para> <inlinemediaobject> <imageobject> - <imagedata fileref="refocus-refocus.png" format="PNG" /> + <imagedata fileref="&path;refocus-refocus.png" format="PNG" /> </imageobject> </inlinemediaobject> </para> @@ -400,7 +400,7 @@ End: <screeninfo>The Red Eyes Correction Tool in Action </screeninfo> <mediaobject> <imageobject> - <imagedata fileref="editor-redeyes-correction.png" format="PNG" /> + <imagedata fileref="&path;editor-redeyes-correction.png" format="PNG" /> </imageobject> </mediaobject> </screenshot> @@ -434,7 +434,7 @@ End: <ulink url="http://cimg.sourceforge.net"; > <inlinemediaobject> <imageobject> - <imagedata fileref="cimg-logo.png" format="PNG" /> + <imagedata fileref="&path;cimg-logo.png" format="PNG" /> </imageobject> <textobject> <phrase>cimglogo</phrase> @@ -461,7 +461,7 @@ The inpainting algorithm has been developed by the IMAGE team of GREC CNRS lab i <para> <inlinemediaobject> <imageobject> - <imagedata fileref="inpaintingdialog.png" format="PNG" /> + <imagedata fileref="&path;inpaintingdialog.png" format="PNG" /> </imageobject> <textobject> <phrase>The Photograph Inpainting Dialog</phrase> @@ -493,7 +493,7 @@ The inpainting algorithm has been developed by the IMAGE team of GREC CNRS lab i <para> <inlinemediaobject> <imageobject> - <imagedata fileref="inpaintingsettings1.png" format="PNG" /> + <imagedata fileref="&path;inpaintingsettings1.png" format="PNG" /> </imageobject> <textobject> <phrase>The Inpainting Smoothing Settings</phrase> @@ -527,7 +527,7 @@ The inpainting algorithm has been developed by the IMAGE team of GREC CNRS lab i <para> <inlinemediaobject> <imageobject> - <imagedata fileref="inpaintingsettings2.png" format="PNG" /> + <imagedata fileref="&path;inpaintingsettings2.png" format="PNG" /> </imageobject> <textobject> <phrase>The Inpainting Advanced Settings</phrase> @@ -567,7 +567,7 @@ Below, you can see a <guilabel>Remove Small Area</guilabel> Inpainting type appl <para> <inlinemediaobject> <imageobject> - <imagedata fileref="inpaintingpreview.png" format="PNG" /> + <imagedata fileref="&path;inpaintingpreview.png" format="PNG" /> </imageobject> <textobject> <phrase>The Inpainting Filter Preview</phrase> @@ -626,7 +626,7 @@ Moiré Patterns</emphasis> on scanned images from books or magazines. <para> <inlinemediaobject> <imageobject> - <imagedata fileref="noisereductiondialog.png" format="PNG" /> + <imagedata fileref="&path;noisereductiondialog.png" format="PNG" /> </imageobject> <textobject> <phrase>The Noise Reduction Dialog</phrase> @@ -714,7 +714,7 @@ You can see below a full description of all parameters. In most cases only <guil <para> <inlinemediaobject> <imageobject> - <imagedata fileref="noisereductionpreview.png" format="PNG" /> + <imagedata fileref="&path;noisereductionpreview.png" format="PNG" /> </imageobject> <textobject> <phrase>The Noise Reduction in Action</phrase> @@ -736,7 +736,7 @@ You can see below a full description of all parameters. In most cases only <guil <screeninfo>The Blur Tool in Action</screeninfo> <mediaobject> <imageobject> - <imagedata fileref="editorblurplugin.png" format="PNG" /> + <imagedata fileref="&path;editorblurplugin.png" format="PNG" /> </imageobject> </mediaobject> </screenshot> @@ -771,7 +771,7 @@ You can see below a full description of all parameters. In most cases only <guil <ulink url="http://cimg.sourceforge.net"; > <inlinemediaobject> <imageobject> - <imagedata fileref="cimg-logo.png" format="PNG" /> + <imagedata fileref="&path;cimg-logo.png" format="PNG" /> </imageobject> <textobject> <phrase>cimglogo</phrase> @@ -801,7 +801,7 @@ The same algorithm can be used for colorization and texture replacement which is <para> <inlinemediaobject> <imageobject> - <imagedata fileref="restorationdialog.png" format="PNG" /> + <imagedata fileref="r&path;estorationdialog.png" format="PNG" /> </imageobject> <textobject> <phrase>Photograph Restoration Dialog</phrase> @@ -833,7 +833,7 @@ The same algorithm can be used for colorization and texture replacement which is <para> <inlinemediaobject> <imageobject> - <imagedata fileref="restorationsettings1.png" format="PNG" /> + <imagedata fileref="&path;restorationsettings1.png" format="PNG" /> </imageobject> <textobject> <phrase>The Restoration Smoothing Settings</phrase> @@ -867,7 +867,7 @@ The same algorithm can be used for colorization and texture replacement which is <para> <inlinemediaobject> <imageobject> - <imagedata fileref="restorationsettings2.png" format="PNG" /> + <imagedata fileref="&path;restorationsettings2.png" format="PNG" /> </imageobject> <textobject> <phrase>The Restoration Advanced Settings</phrase> @@ -907,7 +907,7 @@ Below, you can see a <guilabel>Reduce Uniform Noise</guilabel> Restoration type <para> <inlinemediaobject> <imageobject> - <imagedata fileref="restorationpreview.png" format="PNG" /> + <imagedata fileref="&path;restorationpreview.png" format="PNG" /> </imageobject> <textobject> <phrase>Reduce Uniform Noise Restoration Preview</phrase> @@ -920,7 +920,7 @@ Below, you can see an another Photograph Restoration example using <guilabel>Red <para> <inlinemediaobject> <imageobject> - <imagedata fileref="restorationpreview2.png" format="PNG" /> + <imagedata fileref="&path;restorationpreview2.png" format="PNG" /> </imageobject> <textobject> <phrase>Reduce Texturing Restoration Preview</phrase> @@ -1007,7 +1007,7 @@ If you use an old digital camera, it is important to re-shoot the Black Frame ne <para> <inlinemediaobject> <imageobject> - <imagedata fileref="hotpixelsdialog.png" format="PNG" /> + <imagedata fileref="&path;hotpixelsdialog.png" format="PNG" /> </imageobject> <textobject> <phrase>The Hot Pixels Dialog</phrase> @@ -1047,7 +1047,7 @@ Below, you can see the Hot Pixels Correction tool applied to a color photograph <para> <inlinemediaobject> <imageobject> - <imagedata fileref="hotpixelspreview.png" format="PNG" /> + <imagedata fileref="&path;hotpixelspreview.png" format="PNG" /> </imageobject> <textobject> <phrase>The Pixels Correction Preview</phrase> @@ -1111,7 +1111,7 @@ The <emphasis>Vignetting correction</emphasis> is a tool to correct image vigne <para> <inlinemediaobject> <imageobject> - <imagedata fileref="vignettingcorrectiondialog.png" format="PNG" /> + <imagedata fileref="&path;vignettingcorrectiondialog.png" format="PNG" /> </imageobject> <textobject> <phrase>The Vignetting Correction Dialog</phrase> @@ -1183,7 +1183,7 @@ The values used for this example are: <para> <inlinemediaobject> <imageobject> - <imagedata fileref="antivignettingpreview.png" format="PNG" /> + <imagedata fileref="&path;antivignettingpreview.png" format="PNG" /> </imageobject> <textobject> <phrase>The Vignetting Correction Image Editor Tool in Action</phrase> @@ -1253,7 +1253,7 @@ The following figures explain the main types of geometrical distortions: <para> <inlinemediaobject> <imageobject> - <imagedata fileref="distortions.png" format="PNG" /> + <imagedata fileref="&path;distortions.png" format="PNG" /> </imageobject> <textobject> <phrase>Lens Distortion Types</phrase> @@ -1285,7 +1285,7 @@ A bit of explanation first. The geometrical corrections use 4th-order polynomial <para> <inlinemediaobject> <imageobject> - <imagedata fileref="lensdistortiondialog.png" format="PNG" /> + <imagedata fileref="&path;lensdistortiondialog.png" format="PNG" /> </imageobject> <textobject> <phrase>Lens Distortion Correction Dialog</phrase> @@ -1353,7 +1353,7 @@ The values used for this example are: <para> <inlinemediaobject> <imageobject> - <imagedata fileref="lensdistortionpreview.png" format="PNG" /> + <imagedata fileref="&path;lensdistortionpreview.png" format="PNG" /> </imageobject> <textobject> <phrase>Lens Distortion Correction Preview</phrase> diff --git a/digikam/editor-filters.docbook b/digikam/editor-filters.docbook index 805549e..3d45b59 100644 --- a/digikam/editor-filters.docbook +++ b/digikam/editor-filters.docbook @@ -39,7 +39,7 @@ It is like taking an image in black and white with a red filter on the camera le <para> The algorithm is based on the method of the 'Simulate Infrared Film' tutorial of the GimpGuru.org web site available at <ulink url="http://www.gimpguru.org/Tutorials/SimulatedInfrared";>this url</ulink>. -The filter tries to reproduce the famous Ilford(tm) SFX200 infrared film, cf. <ulink url="www.ilford.com/html/us_english/prod_html/sfx200/sfx200.html">this url</ulink>. This film has a sensitivity range of 200-800 ISO. +The filter tries to reproduce the famous Ilford(tm) SFX200 infrared film. This film has a sensitivity range of 200-800 ISO. </para> <sect4 id="using-infrared"> diff --git a/digikam/firstrunassistant_step1.png b/digikam/firstrunassistant_step1.png index 1a83d5f..5361af0 100644 Binary files a/digikam/firstrunassistant_step1.png and b/digikam/firstrunassistant_step1.png differ diff --git a/digikam/firstrunassistant_step2.png b/digikam/firstrunassistant_step2.png index edc2bd2..9355cc0 100644 Binary files a/digikam/firstrunassistant_step2.png and b/digikam/firstrunassistant_step2.png differ diff --git a/digikam/firstrunassistant_step3.png b/digikam/firstrunassistant_step3.png index 024bbf5..4d37af4 100644 Binary files a/digikam/firstrunassistant_step3.png and b/digikam/firstrunassistant_step3.png differ diff --git a/digikam/firstrunassistant_step4.png b/digikam/firstrunassistant_step4.png index 06ae35a..9a9d602 100644 Binary files a/digikam/firstrunassistant_step4.png and b/digikam/firstrunassistant_step4.png differ diff --git a/digikam/firstrunassistant_step5.png b/digikam/firstrunassistant_step5.png index 6b5bfa5..b38aba7 100644 Binary files a/digikam/firstrunassistant_step5.png and b/digikam/firstrunassistant_step5.png differ diff --git a/digikam/firstrunassistant_step6.png b/digikam/firstrunassistant_step6.png index 283da70..277c365 100644 Binary files a/digikam/firstrunassistant_step6.png and b/digikam/firstrunassistant_step6.png differ diff --git a/digikam/firstrunassistant_step7.png b/digikam/firstrunassistant_step7.png index 44ff92d..7210d08 100644 Binary files a/digikam/firstrunassistant_step7.png and b/digikam/firstrunassistant_step7.png differ diff --git a/digikam/firstrunassistant_step8.png b/digikam/firstrunassistant_step8.png index 7184910..9094dfb 100644 Binary files a/digikam/firstrunassistant_step8.png and b/digikam/firstrunassistant_step8.png differ diff --git a/digikam/index.docbook b/digikam/index.docbook index 4899ec5..e4b1930 100644 --- a/digikam/index.docbook +++ b/digikam/index.docbook @@ -129,7 +129,7 @@ An easy-to-use Camera interface is provided, that will connect to your digital camera and download photographs directly into &digikam; Albums. More than <ulink url="http://www.gphoto.org/proj/libgphoto2/support.php";>1000 digital cameras</ulink> are supported by the gphoto2 library. Of course, any media or card reader supported by your operating system will interface with &digikam;. </para> - <para>&digikam; incorporates a fast Image Editor with many image editing tools. You can use the Image Editor to view your photographs, comment and rate them, correct, enhance and alter them. The editing power can be easily extended by a set of plugins, the <ulink url="http://www.kipi-plugins.org";>Kde Image Plugins Interface</ulink> (<ulink url="help:/kipi-plugins/index.html">manual</ulink>) + <para>&digikam; incorporates a fast Image Editor with many image editing tools. You can use the Image Editor to view your photographs, comment and rate them, correct, enhance and alter them. The editing power can be easily extended by a set of plugins, the <ulink url="https://projects.kde.org/projects/extragear/graphics/kipi-plugins";>Kde Image Plugins Interface</ulink> (<ulink url="help:/kipi-plugins/index.html">manual</ulink>) </para> <para>While &digikam; remains easy to use, it provides professional level features by the dozens. It is fully 16 bit enabled including all available plugins, supports RAW format conversion through libraw, DNG export and ICC color management <link linkend="rawprocessing.anchor">work flow</link>. @@ -430,7 +430,7 @@ <itemizedlist> - <listitem><para><emphasis>Kipi Plugins</emphasis>: the <ulink url="http://www.kipi-plugins.org";>Kde Image Plugins Interface project (Kipi)</ulink> (<ulink url="help:/kipi-plugins/index.html">manual</ulink>) is an effort to develop a common plugin structure for &digikam;, <application>KPhotoAlbum</application>, <application>Showimg</application> and <application>Gwenview</application>. Its aim is to share image plugins among graphical applications. Kipi-Plugins setup is described in this <link linkend="setup-kipiplugins">section</link>.</para></listitem> + <listitem><para><emphasis>Kipi Plugins</emphasis>: the <ulink url="https://projects.kde.org/projects/extragear/graphics/kipi-plugins";>Kde Image Plugins Interface project (Kipi)</ulink> (<ulink url="help:/kipi-plugins/index.html">manual</ulink>) is an effort to develop a common plugin structure for &digikam;, <application>KPhotoAlbum</application>, <application>Showimg</application> and <application>Gwenview</application>. Its aim is to share image plugins among graphical applications. Kipi-Plugins setup is described in this <link linkend="setup-kipiplugins">section</link>.</para></listitem> </itemizedlist> @@ -1429,7 +1429,6 @@ Fun stuff <listitem><para>if not physically separated already, separate it now (swapping-in another backup drive)</para></listitem> </orderedlist> <para>This protocol tries to leave you enough time to spot losses and to recover fully at the same time keeping the backup volume at <130% of the working space. You end up with a daily version of the last 7-14 days, a weekly snapshot for at least one month, and a snapshot of every month. Any more thinning should be done by hand after a full verification.</para> - <para>script to follow....TBD</para> <para>For German speaking *nix users: <ulink url="http://www.heinlein-support.de/web/rsync-backup/";> link</ulink></para> </sect4> </sect3> @@ -1669,7 +1668,7 @@ Fun stuff <listitem><para>The sequence number may be needed if you have a camera with a very fast multi-shoot mode where it is possible to get two photographs with exactly the same data and time. </para></listitem> - <listitem><para>If you want another date format then the default date format, click on <guilabel>Date & Time...</guilabel>, choose <guilabel>Custom</guilabel> in <guilabel>Format</guilabel> drop-down list and fill in for example "dd.MM.yyyy hh:mm:ss". For more information, read <ulink url="http://doc.trolltech.com/latest/qdatetime.html#toString";>QdateTime</ulink> class reference.</para></listitem> + <listitem><para>If you want another date format then the default date format, click on <guilabel>Date & Time...</guilabel>, choose <guilabel>Custom</guilabel> in <guilabel>Format</guilabel> drop-down list and fill in for example "dd.MM.yyyy hh:mm:ss". For more information, read <ulink url="http://doc.qt.digia.com/qt/qdatetime.html#toString";>QdateTime</ulink> class reference.</para></listitem> <listitem><para>When you select <guilabel>Camera filenames</guilabel>, you have the option to change the filenames to lowercase when downloading. Or use uppercase if you prefer.</para></listitem> @@ -1764,7 +1763,7 @@ Fun stuff But if, after some time, one has forgotten where the image was taken, if one loves the nice feature to open with a simple click a browser displaying a zoom of the area, if you like to send your image as a postcard to another &digikam; user (who is then able to locate your shot), or if you simply need the documentation aspect of it - having position data stored in a photo is great. </para> <para> - Now, how do we get GPS data into the images? <ulink url="http://www.exiv2.org/tags.html";>exiv2</ulink> supports many kinds of the GPS data fields, even bearing, satellite and map references. So the question is really how to get the data into those fields? There are at least three ways to do this: directly with the appropriate hardware, per post-treatment of GPS and image files using the <ulink url="http://www.kipi-plugins.org";>Geolocation</ulink> (<ulink url="help:/kipi-plugins/geolocalization.html">Manual</ulink>) Kipi-plugin and per 'manual' insertion of known locations. + Now, how do we get GPS data into the images? <ulink url="http://www.exiv2.org/tags.html";>exiv2</ulink> supports many kinds of the GPS data fields, even bearing, satellite and map references. So the question is really how to get the data into those fields? There are at least three ways to do this: directly with the appropriate hardware, per post-treatment of GPS and image files using the Geolocation Kipi-plugin (<ulink url="help:/kipi-plugins/geolocalization.html">Manual</ulink>) and per 'manual' insertion of known locations. </para> <itemizedlist> @@ -1774,23 +1773,16 @@ Fun stuff </para> <para><ulink url="http://www.engadget.com.nyud.net:8090/2004/09/17/diy-black-box-tagging-photos-with-gps-coordinates/";>Selfmade Howto</ulink> </para> - <para>Cameras with GPS interface: - <ulink url="http://www.lupinelogic.com/products/coyoteye.html";>CoyoteEye iPAQ</ulink> - <ulink url="http://www.survey-lab.com/";>Ike</ulink> - <ulink url="http://www.kodak.com/global/en/service/professional/tib/tib7061.jhtml?id=0.1.14.34.3.110&lc=en";>Kodak DCS Pro</ulink> - <ulink url="http://nikonimaging.com/global/products/digitalcamera/index.htm";>Nikon DSLR</ulink> - <ulink url="http://www.geospatialexperts.com/ricoh.html";>Ricoh Pro G3</ulink> <ulink url="http://digitalcameras.engadget.com/2004/04/30/gps-attachment-for-sony-digital-camcorders/";>Sony</ulink> - </para> </listitem> <listitem><para>Post-treatment of GPS data and image files</para> <para> - Using the <ulink url="http://www.kipi-plugins.org";>Geolocation</ulink> Kipi-plugin (<ulink url="help:/kipi-plugins/geolocalization.html">Manual</ulink> if Kipi-plugins are already installed). + Using the Geolocation Kipi-plugin (<ulink url="help:/kipi-plugins/geolocalization.html">Manual</ulink> if Kipi-plugins are already installed). </para> <para> This approach is dead easy: while taking your pictures just keep a GPS device running and carry it around with the camera. Once you are done, download the pictures and the GPS tracks, and run the above plugin. It will correlate the data in the time domain; so it is important that the camera be accurate in its clock setting (the GPS device is always accurate through the satellites). The positional accuracy interpolated from the track points can be as good as 20 meters. Of course, this approach only works if your camera can record EXIF data. </para> - <para>The GPS track download from a device can be managed with the <ulink url="http://www.ncc.up.pt/gpsman";>gpsman</ulink> or <ulink url="http://www.gpsbabel.org";>gpsbabel</ulink>. It is important that the downloaded tracks are being stored in gpx format, which is the only one compatible with the Geolocation plugin. + <para>The GPS track download from a device can be managed with the <ulink url="http://gpsman.sourceforge.net/";>gpsman</ulink> or <ulink url="http://www.gpsbabel.org";>gpsbabel</ulink>. It is important that the downloaded tracks are being stored in gpx format, which is the only one compatible with the Geolocation plugin. </para> <para> Several programs exist for &Windows; and MacOS that are able to extract and correlate data from images and GPS data tracks. The following site provides the same functionality for &Linux;: @@ -1803,9 +1795,6 @@ Fun stuff <para>'Manual' insertion of known locations</para> <para>If you happen to know the latitude/longitude or other data you can use the this script which is a GPS wrapper for Phil Harvey's <ulink url="http://www.sno.phy.queensu.ca/~phil/exiftool";>ExifTool</ulink> that uses the signed floating number coordinate notation as produced by maps.google. </para> - <tip><para> - maps.google.com does not show the street maps of Europe. But there are European sites (.fr .de .es .it .co .uk at least) that show all navigation details in all of Europe. - </para></tip> </listitem> </itemizedlist> @@ -1813,7 +1802,6 @@ Fun stuff <para> GPS devices: <ulink url="http://www.letsgodigital.org/en/9323/sony_gps_photography/";>GPS tracker from Sony </ulink> and - <ulink url="http://photofinder.atpinc.com/";>ATP Fotofinder GPS tracker</ulink> <ulink url="http://www.emtac.com/products/bluetooth/index.html#btgps";>EMTAC bluetooth GPS </ulink> </para> </sect2> @@ -2053,7 +2041,7 @@ Fun stuff <para>For Fuji Super CCD SLR cameras only. Use the secondary sensors, in effect underexposing the image by four stops to reveal detail in the highlights. For all other camera types this option is being ignored.</para> <para><guilabel>Highlights</guilabel></para> - <para>This is the story of the three highlight options, courtesy of <ulink url="http://linux.vilars.com/";>Nicolas Vilars</ulink> :</para> + <para>This is the story of the three highlight options, courtesy of Nicolas Vilars:</para> <para>Default is here to consider highlights (read: part of your images that are burned due to the inability of your camera to capture the highlights) as plain / solid white (<guilabel>solid white</guilabel> option). You can get some fancy results with the <guilabel>unclip</guilabel> option which will paint the highlights in various pinks. At last you can try to consider recovering some parts of the missing information from the highlights (<guilabel>reconstruct</guilabel> option).</para> <para> This is possible because the blue pixels tends to saturate less quickly than the greens and the reds. &digikam;/dcraw will try to reconstruct the missing green and red colors from the remaining none saturated blue pixels. Of course here everything is a question of tradeoff between how much color or white you want.</para> @@ -2171,7 +2159,7 @@ Fun stuff </para> <para> - For more information about Kipi plugins, you can consult the Kipi project at <ulink url="http://www.kipi-plugins.org";>http://www.kipi-plugins.org</ulink> or the <ulink url="help:/kipi-plugins/index.html">Kipi-plugins manual</ulink>. + For more information about Kipi plugins, you can consult the <ulink url="help:/kipi-plugins/index.html">Kipi-plugins manual</ulink>. </para> </sect3> @@ -2254,117 +2242,8 @@ Fun stuff <para> Color schemes are supplied like themes to personalize &digikam; main interface for you pleasure. To access these settings select <menuchoice><guimenu>Settings</guimenu> - <guimenuitem>Themes</guimenuitem></menuchoice> from the menubar and select your preferred theme to use. A preview of the available themes is listed below: + <guimenuitem>Themes</guimenuitem></menuchoice> from the menubar and select your preferred theme to use. </para> - - <informaltable><tgroup cols="2"> - - <thead><row> - <entry>Preview</entry> - <entry>Theme Name</entry> - </row></thead> - - <tbody> - <row> - <entry> - <inlinemediaobject><imageobject><imagedata fileref="&path;setupthemeclean.png" format="PNG" /> </imageobject></inlinemediaobject> - </entry> - - <entry> - Clean - </entry> - </row> - - <row> - <entry> - <inlinemediaobject><imageobject><imagedata fileref="&path;setupthemedark.png" format="PNG" /> </imageobject></inlinemediaobject> - </entry> - - <entry> - Dark - </entry> - </row> - - <row> - <entry> - <inlinemediaobject><imageobject><imagedata fileref="&path;setupthemedefault.png" format="PNG" /> </imageobject></inlinemediaobject> - </entry> - - <entry> - Default - </entry> - </row> - - <row> - <entry> - <inlinemediaobject><imageobject><imagedata fileref="&path;setupthemedessert.png" format="PNG" /> </imageobject></inlinemediaobject> - </entry> - - <entry> - Dessert - </entry> - </row> - - - <row> - <entry> - <inlinemediaobject><imageobject><imagedata fileref="&path;setupthemedigicasa.png" format="PNG" /> </imageobject></inlinemediaobject> - </entry> - - <entry> - Digicasa - </entry> - </row> - - - <row> - <entry> - <inlinemediaobject><imageobject><imagedata fileref="&path;setupthemedreary.png" format="PNG" /> </imageobject></inlinemediaobject> - </entry> - - <entry> - Dreary - </entry> - </row> - - <row> - <entry> - <inlinemediaobject><imageobject><imagedata fileref="&path;setupthememarine.png" format="PNG" /> </imageobject></inlinemediaobject> - </entry> - - <entry> - Marine - </entry> - </row> - - <row> - <entry> - <inlinemediaobject><imageobject><imagedata fileref="&path;setupthemeorangecrush.png" format="PNG" /> </imageobject></inlinemediaobject> - </entry> - - <entry> - OrangeCrush - </entry> - </row> - - <row> - <entry> - <inlinemediaobject><imageobject><imagedata fileref="&path;setupthemesandy.png" format="PNG" /> </imageobject></inlinemediaobject> - </entry> - - <entry> - Sandy - </entry> - </row> - - </tbody> - - </tgroup></informaltable> - - <note><para> - Theme settings are implemented in simple text file. If you are interested to create a new theme for &digikam;, you can find more information about it in this <ulink url="http://www.digikam.org/themeguide.html";>tutorial</ulink>. - </para></note> - </sect2> </sect1> @@ -2531,10 +2410,6 @@ Fun stuff <guimenuitem>Print image</guimenuitem></menuchoice> (&Ctrl;+P) and you get the standard &kde; Print dialog, where you can adjust the settings before printing your photograph. </para> - <para> - For more information about advanced printing settings, please consult <ulink url="help:/kdeprint/index.html">&kde; Print manual</ulink>. - </para> - <para> From the main window view you can print single images or whole sets of them. Entire thumbnail pages can be printed with your selection. All you need to do is selecting images the standard way and call <menuchoice><guimenu>Image</guimenu> <guimenuitem>Print Assistant</guimenuitem></menuchoice>. Then follow the instructions and choices to make. </para> @@ -2559,7 +2434,7 @@ Fun stuff <sect1 id="getting-kapp"> <title>How to Obtain &digikam;</title> <para> -The website for &digikam; is at <ulink url="http://www.digikam.org";>http://www.digikam.org</ulink>. Please check it regularly to get the latest news about &digikam;. &digikam; can be obtained in binary and source format from <ulink url="http://sourceforge.net/project/showfiles.php?group_id=42641";>http://sourceforge.net/project/showfiles.php?group_id=42641</ulink>. +The website for &digikam; is at <ulink url="http://www.digikam.org";>http://www.digikam.org</ulink>. Please check it regularly to get the latest news about &digikam;. &digikam; can be obtained in binary and source format from the digiKam web site. </para> <para> diff --git a/digikam/menu-descriptions.docbook b/digikam/menu-descriptions.docbook index c6ac235..d03a13f 100644 --- a/digikam/menu-descriptions.docbook +++ b/digikam/menu-descriptions.docbook @@ -938,7 +938,7 @@ </para> </listitem> </varlistentry> - + <!-- not ported to kde4 <varlistentry> <term><menuchoice> <guimenu>Export</guimenu><guimenuitem>Create MPEG Slideshow</guimenuitem> @@ -954,7 +954,7 @@ </para> </listitem> </varlistentry> - + --> <varlistentry> <term><menuchoice> <guimenu>Export</guimenu><guimenuitem>Remote Gallery sync...</guimenuitem> diff --git a/digikam/setupthemeclean.png b/digikam/setupthemeclean.png deleted file mode 100644 index 9f07ec4..0000000 Binary files a/digikam/setupthemeclean.png and /dev/null differ diff --git a/digikam/setupthemedark.png b/digikam/setupthemedark.png deleted file mode 100644 index 8e899fa..0000000 Binary files a/digikam/setupthemedark.png and /dev/null differ diff --git a/digikam/setupthemedefault.png b/digikam/setupthemedefault.png deleted file mode 100644 index 4252912..0000000 Binary files a/digikam/setupthemedefault.png and /dev/null differ diff --git a/digikam/setupthemedessert.png b/digikam/setupthemedessert.png deleted file mode 100644 index 9096021..0000000 Binary files a/digikam/setupthemedessert.png and /dev/null differ diff --git a/digikam/setupthemedigicasa.png b/digikam/setupthemedigicasa.png deleted file mode 100644 index 1d61002..0000000 Binary files a/digikam/setupthemedigicasa.png and /dev/null differ diff --git a/digikam/setupthemedreary.png b/digikam/setupthemedreary.png deleted file mode 100644 index 553f49c..0000000 Binary files a/digikam/setupthemedreary.png and /dev/null differ diff --git a/digikam/setupthememarine.png b/digikam/setupthememarine.png deleted file mode 100644 index 5a7aaa3..0000000 Binary files a/digikam/setupthememarine.png and /dev/null differ diff --git a/digikam/setupthemeorangecrush.png b/digikam/setupthemeorangecrush.png deleted file mode 100644 index 45e64d8..0000000 Binary files a/digikam/setupthemeorangecrush.png and /dev/null differ diff --git a/digikam/setupthemesandy.png b/digikam/setupthemesandy.png deleted file mode 100644 index 593e293..0000000 Binary files a/digikam/setupthemesandy.png and /dev/null differ
