Git commit ade0fcfd26f0f292bc76dd2e5b3c5eeb07eecc74 by Yuri Chornoivan. Committed on 29/01/2013 at 18:52. Pushed by yurchor into branch 'master'.
Fix typos M +2 -2 digikam/color-management.docbook http://commits.kde.org/digikam-doc/ade0fcfd26f0f292bc76dd2e5b3c5eeb07eecc74 diff --git a/digikam/color-management.docbook b/digikam/color-management.docbook index b9dbb56..8a8fab7 100644 --- a/digikam/color-management.docbook +++ b/digikam/color-management.docbook @@ -208,7 +208,7 @@ <listitem><para>If you are working in 8-bits rather than 16-bits, choose a smaller rather than a larger working space to avoid clipping and banding. </para></listitem> <listitem><para>For archival purposes, convert your raw file to a 16-bit tiff with a large gamut working space to avoid loosing color information. Then convert this archival tiff to your medium-gamut or large-gamut working space of choice (saving the converted working tiff under a new name, of course). </para></listitem> </orderedlist></para> - <para>For more information on choosing a working space, see <ulink url="http://www.brucelindbloom.com/";>this page</ulink>, Information about RGB Working Spaces for a visual comparison of the gamut (array of included colors) of the various working color spaces. See <ulink url="http://www.luminous-landscape.com/tutorials/prophoto-rgb.shtml";>here</ulink> and <ulink url="http://www.cambridgeincolour.com/tutorials/sRGB-AdobeRGB1998.htm";>here</ulink> for a pro- and con- presentation, respectively, of the merits of using large gamut working spaces. And while you are on the cambrideincolour.com website, check out the tutorial on color management. </para> + <para>For more information on choosing a working space, see <ulink url="http://www.brucelindbloom.com/";>this page</ulink>, Information about RGB Working Spaces for a visual comparison of the gamut (array of included colors) of the various working color spaces. See <ulink url="http://www.luminous-landscape.com/tutorials/prophoto-rgb.shtml";>here</ulink> and <ulink url="http://www.cambridgeincolour.com/tutorials/sRGB-AdobeRGB1998.htm";>here</ulink> for a pro- and con- presentation, respectively, of the merits of using large gamut working spaces. And while you are on the cambridgeincolour.com website, check out the tutorial on color management. </para> </sect3> </sect2> @@ -342,7 +342,7 @@ <listitem><para>For archival purposes, convert your raw file to a 16-bit tiff with a large gamut working space to avoid loosing color information. Then convert this archival tiff to your working space of choice (saving the converted working tiff under a new name, of course). See <ulink url="http://simon.tindemans.eu/essays/scenereferredworkflow";>here</ulink> for more details.</para></listitem> </orderedlist> - <para>The WHYs of these bits of advice regarding which working space are beyond the scope of this tutorial. See Bruce Lindbloom's excellent website (<ulink url="http://www.brucelindbloom.com/";>Info, Information about RGB Working Spaces</ulink>) for a visual comparison of the gamut (array of included colors) of the various working color spaces. See <ulink url="http://www.luminous-landscape.com/tutorials/prophoto-rgb.shtml";>here</ulink> and <ulink url="http://www.cambridgeincolour.com/tutorials/sRGB-AdobeRGB1998.htm";>here</ulink> for a pro and con presentation, respectively, of the merits of using large gamut working spaces. And while you are on the <ulink url="http://www.cambridgeincolour.com/tutorials/sRGB-AdobeRGB1998.htm";>cambrideincolour.com</ulink> website, check out the tutorial on color management. </para> + <para>The WHYs of these bits of advice regarding which working space are beyond the scope of this tutorial. See Bruce Lindbloom's excellent website (<ulink url="http://www.brucelindbloom.com/";>Info, Information about RGB Working Spaces</ulink>) for a visual comparison of the gamut (array of included colors) of the various working color spaces. See <ulink url="http://www.luminous-landscape.com/tutorials/prophoto-rgb.shtml";>here</ulink> and <ulink url="http://www.cambridgeincolour.com/tutorials/sRGB-AdobeRGB1998.htm";>here</ulink> for a pro and con presentation, respectively, of the merits of using large gamut working spaces. And while you are on the <ulink url="http://www.cambridgeincolour.com/tutorials/sRGB-AdobeRGB1998.htm";>cambridgeincolour.com</ulink> website, check out the tutorial on color management. </para> </sect3> <sect3 id="softproofing"> <title>Soft Proofing</title>
