Hi.  I'm having a sense of lots of chickens coming home and the
sane section of the undecided and unfirm will make the right choice
this weekend.   The Bin Ladin video tops it off 14 ways, but the
sheer instability of the Bush forces and what they've wrought has to
be seriously affecting the non-fanatic.  I think they'll take a chance
even with the semi-unknown, Kerry.  It couldn't get any worse.
Ed


NY Times
OP-Ed Columnist:
White House of Horrors
October 28, 2004
By MAUREEN DOWD


Dick Cheney peaked too soon. We've still got a few days
left until Halloween.

It was scary enough when we thought the vice president had
created his own reality for spin purposes. But if he
actually believes that Iraq is "a remarkable success
story,'' it's downright spooky. He's already got his
persona for Sunday: he's the mad scientist in the haunted
mansion, fiddling with test tubes to force the world to
conform to his twisted vision.

After 9/11, Mr. Cheney swirled his big black cape and
hunkered down in his undisclosed dungeon, reading books
about smallpox and plague and worst-case terrorist
scenarios. His ghoulish imagination ran wild, and he
dragged the untested president and jittery country into his
house of horrors, painting a gory picture of how Iraq could
let fearsome munitions fall into the hands of evildoers.

He yanked America into war to preclude that chilling
bloodbath. But in a spine-tingling switch, the
administration's misbegotten invasion of Iraq has let
fearsome munitions fall into the hands of evildoers. It's
also forged the links between Al Qaeda and the Sunni
Baathists that Mr. Cheney and his crazy-eyed Igors at the
Pentagon had fantasized about to justify their hunger to
remake the Middle East.

It's often seen in scary movies: you play God to create
something in your own image, and the monster you make ends
up coming after you.

Determined to throw a good scare into the Arab world, the
vice president ended up scaring up the swarm of jihadist
evil spirits he had conjured, like the overreaching
sorcerer in "Fantasia." The Pentagon bungled the occupation
so badly, it caused the insurgency to grow like the Blob.

Just as Catherine Deneuve had bizarre hallucinations in the
horror classic "Repulsion,'' Mr. Cheney and the neocons
were in a deranged ideological psychosis, obsessing about
imaginary weapons while allowing enemies to spirit the real
ones away.

The officials charged with protecting us set off so many
false alarms that they ignored all the real ones.

President Bush is like one of the blissfully ignorant
teenagers in "Friday the 13th'' movies, spouting slogans
like "Freedom is on the march'' while Freddy Krueger is in
the closet, ready to claw his skin off.

Mr. Bush ignored his own experts' warnings that Osama bin
Laden planned to attack inside the U.S., that an invasion
of Iraq could create a toxic partnership between outside
terrorists and Baathists and create sympathy for them
across the Islamic world, that Donald Rumsfeld was planning
a war and occupation without enough troops, that Saddam's
aluminum tubes were not for nuclear purposes, that U.S.
troops should safeguard 380 tons of sealed explosives that
could bring down planes and buildings, and that, after the
invasion, Iraq could erupt into civil war.

And, of course, the president ignored Colin Powell's
Pottery Barn warning: if you break it, you own it.

Their Iraqi puppet, Ayad Allawi, turned on Mr. Cheney and
Mr. Bush this week, in a scene right out of "Chucky.'' Mr.
Allawi accused coalition forces of "major negligence'' for
not protecting the unarmed Iraqi National Guard trainees
who were slaughtered by insurgents wearing Iraqi police
uniforms. Iraqi recruits are getting killed so fast we
can't even pretend that we're going to turn the country
over to them.

If you really want to be chilled to the bone this
Halloween, listen to what Peter W. Galbraith, a former
diplomat who helped advance the case for an Iraq invasion
at the request of Paul Wolfowitz, said in a column
yesterday in The Boston Globe.

He said he'd told Mr. Wolfowitz about "the catastrophic
aftermath of the invasion, the unchecked looting of every
public institution in Baghdad, the devastation of Iraq's
cultural heritage, the anger of ordinary Iraqis who
couldn't understand why the world's only superpower was
letting this happen.'' He told Mr. Wolfowitz that mobs were
looting Iraqi labs of live H.I.V. and black fever viruses
and making off with barrels of yellowcake.

"Even after my briefing, the Pentagon leaders did nothing
to safeguard Iraq's nuclear sites,'' he said.

In his column, Mr. Galbraith said weapons looted from the
arms site called Al Qaqaa might have wound up in Iran,
which could obviously use them to pursue nuclear weapons.

In April 2003 in Baghdad, he said, he told a young U.S.
lieutenant stationed across the street that H.I.V. and
black fever viruses had just been looted. The soldier had
been devastated and said, "I hope I'm not responsible for
Armageddon.''

Too bad that never occurred to Dr. Cheneystein.

http://www.nytimes.com/2004/10/28/opinion/28dowd.html?ex=1100093582&ei=1&;
en=fd643ff85e21db6a

***

[To view the Mosh video online, go to the Guerrilla News
Network site: http://www.gnn.tv/content/eminem_mosh.html
-- moderator]

Eminem, Anti-Hero
By Davina Baum, AlterNet
Posted on October 29, 2004, Printed on October 29, 2004
AlterNet
<http://www.alternet.org/wiretap/20345/>

There was merely a ripple in the cultural zeitgeist when
Bruce Springsteen put aside his genial nonpartisan
everyman stance and headlined the Vote for Change
concerts, benefiting America Coming Together (ACT), and
ultimately, John Kerry. No one blinked when Ani diFranco
set off on her own tour, boldly titled Vote Dammit. Same
with Moby, who has worn his politics on his sleeve from
day one. And no eyebrows were raised when P. Diddy, in
typical Diddy style, came out big and loud with his Vote
or Die campaign ... which as usual seemed to be more
about Diddy than anything else.

But Eminem ... the man who George Bush once called "the
most dangerous threat to American children since polio"
.. could be the true October surprise.

Eminem is one of the least likely artists to come out
with an overtly political message and a rallying call to
youth, yet eight days before the election Eminem
released "Mosh," the second single from his forthcoming
album "Encore," scheduled for release on Nov. 6. Solidly
established as an anti-hero, reveling in the fact that
his words and actions ... pulling a gun on his ex-wife's
boyfriend, rapping about "fags" and then making nice
with Elton John or mooning fans at the MTV Video Music
Awards ... were not to be followed, analyzed, or
mimicked, Eminem seemed content to remain the angry
young man with a wicked flow, biting lyrics and
astronomical record sales.

Instead, he releases a rousing call to arms for the hip
hop generation to take back the government that seeks to
represent them. He even proclaims himself their leader.
Surprise indeed.

With "Mosh," Eminem ... the most polarizing musician of
our times ... takes on the most polarizing election of
our times.

In the video, Eminem leads a mob fired up and
politicized by four years of outrage and anger at the
Bush administration. Clad in black hoodies, fists
raised, the angry young men and women descend on a state
building ... to vote.

Chunky black-and-white illustrated figures on a moody,
sepia-toned landscape play out the frustration and angst
of a generation. One young Iraq veteran returns home, to
be met by his wife and children and a notice of
reassignment; "Fuck Bush" is the accompanying lyric he
spits out. Then he dons a black hoodie and joins the
mob. A single mother comes home, groceries in hand, and
opens an eviction notice while news of a tax cut for the
rich plays on the television ... she dons a black hoodie
and joins the mob.

Eminem leads the crowd, providing "spark" to the chorus:

  "Come along follow me as I lead through the darkness
  As I provide just enough spark that we need to proceed
  Carry on, give me hope, give me strength
  Come with me and I won't steer you wrong
  Put your faith and your trust as I guide us through
  the fog
  To the light at the end of the tunnel
  We gonna fight, we gonna charge, we gonna stomp, we
  gonna march
  Through the swamp, we gonna mosh through the marsh
  Take us right through the doors (c'mon)"

The video was produced, directed and edited by Ian Inaba
of the Guerilla News Network, who didn't necessarily
have Eminem in mind when he came up with the concept.
Inaba, also a contributor to GNN's new book "True Lies"
(The Penguin Group, 2004), concurs that the song and the
video have altered the left's perception of one of its
favorite whipping boys: "People who have been critical
are now saying positive things about him," Inaba tells
AlterNet. "I think he's matured a lot as an artist and
he's a very hard working and intelligent artist. And I
think this song and his effort is showing people that."

This sea change in public perception occurred in less
than five days. The video was finished on Monday, Oct.
25, and posted at gnn.tv on the same day. After rumors
that MTV would refuse to air it, the video appeared on
Total Request Live on Tuesday; it's currently No. 1 on
the charts.

So Inaba and Eminem were a fortuitous pairing. The video
was first a concept in search of a song, but when Inaba,
who had worked with Eminem on his last album, heard the
song, he felt it was the perfect fit. "I wanted to do a
voting video," he says. "[We were] trying to come out
with it right before the election ... hopefully a little
earlier than we ultimately did." Inaba shopped it around
to record labels, landing at Interscope, looking to see
who among the label's artists would be releasing an
album near the election. "The video's content was pretty
well established in my head when I went to his
management so we were both kind of surprised when I
heard the song. You know it couldn't have been a better
song," says Inaba.

"Mosh" couldn't have fit better with the concept, and
Inaba considers Eminem's nation of listeners a powerful
bloc who otherwise wouldn't have heard the message: "We
heard the song, we knew it was gonna have the reach, you
know we could have gone with other artists, but he's got
reach into swing states, into middle America, and
that's, you know, a powerful thing." Think of it as the
Michael Moore effect on an Xbox.

Indeed, in a nation where undecided-voter frenzy has
reached a fever pitch, the hip hop generation has been a
favorite target. According to the U.S. Census Bureau,
there are 26.7 million Americans between the ages of 18
and 24, and only 8.6 million of them ... about 32
percent ... voted in the 2000 presidential elections,
meaning two of every three did not vote.

Reactions to the video have been dramatic. Moby, whose
history with Eminem is stained with vitriol, has been
effusive: "Wow, you know that Eminem and I have had our
differences in the past, but this video is the best
thing that I've seen all year. It's an amazing song and
an even more amazing video. Please go watch." The
"differences" that Moby blithely refers to include a
call-out in Eminem's 2002 release "Without Me": "You 36-
year-old boy fag, blow me/ You don't know me, you're too
old, let go/ It's over, nobody listens to techno."

Inaba thinks the response has been amazing ... and if
the goal is getting out the vote, he believes that the
video is a success: "We've gotten a lot of responses on
message boards, on blog sites, things like that; kids
saying, 'I wasn't gonna vote and I saw this video and
it's really transformative and I'm now gonna go out and
vote.'"

Naturally, the hip hop generation is watching, and
talking. On MTV.com's "You Tell Us" feature, reactions
are strong. Kyle, a 22-year-old from Ithaca, N.Y. says:
"Not since Chuck D has a hip hop artist spoken so
eloquently of the power in numbers. If we stand up as a
bloc and vote, both the president and the senator will
have no choice but to listen."

Nineteen-year-old Kelley from Apple Valley, Minn. has a
different take: "I am completely appalled by Eminem's
'Mosh' video. He may have his own opinions about our
president, but there should be no reason that he has to
come out with this Bush-bashing video a week before the
election. I am a huge Eminem fan, but this is extremely
upsetting. I am also afraid that people will watch this
video and be corrupted by what he is portraying, and
that is a false image of President Bush."

Eminem, not surprisingly, disagrees. In an advance
report of a poorly timed interview in Rolling Stone
(appearing in the Nov. 5 issue), he is quoted as saying:

  "[Bush] has been painted to be this hero, and he's got
  our troops over there dying for no reason ... I think
  he started a mess ... He jumped the gun, and he fucked
  up so bad he doesn't know what to do right now ... We
  got young people over there dyin', kids in their
  teens, early 20s that should have futures ahead of
  them. And for what? It seems like a Vietnam 2. bin
  Laden attacked us, and we attacked Saddam. Explain why
  that is. Give us some answers."

According to the article, Eminem won't endorse a
candidate: "'Whatever my decision is, I would like to
see Bush out of office,' Eminem says. 'I don't wanna see
my little brother get drafted ... he just turned
eighteen. People think their votes don't count, but
people need to get out and vote. Every motherfuckin'
vote counts.'"

If the video augurs anything, those votes will be
legion. Eminem ends the song as a line of voters
stretches out into the distance:

  "As we set aside our differences
  And assemble our own army
  To disarm this weapon of mass destruction
  That we call our president, for the present
  And mosh for the future of our next generation
  To speak and be heard
  Mr. President, Mr. Senator
  Do you guys hear us?"

Well, do you?
(c) 2004 Independent Media Institute. All rights
reserved.

***

[To see the digitally enhanced photos of George Bush
during Debate I, go to the article at:
http://salon.com/news/feature/2004/10/29/bulge/index.html
-- moderator]

NASA photo analyst: Bush wore a device during debate

     Physicist says imaging techniques prove the
     president's bulge was not caused by wrinkled
     clothing.

By Kevin Berger

Oct. 29, 2004    George W. Bush tried to laugh off the
bulge. "I don't know what that is," he said on "Good
Morning America" on Wednesday, referring to the infamous
protrusion beneath his jacket during the presidential
debates. "I'm embarrassed to say it's a poorly tailored
shirt."

Dr. Robert M. Nelson, however, was not laughing. He knew
the president was not telling the truth. And Nelson is
neither conspiracy theorist nor midnight blogger. He's a
senior research scientist for NASA and for Caltech's Jet
Propulsion Laboratory, and an international authority on
image analysis. Currently he's engrossed in analyzing
digital photos of Saturn's moon Titan, determining its
shape, whether it contains craters or canyons.

For the past week, while at home, using his own
computers, and off the clock at Caltech and NASA, Nelson
has been analyzing images of the president's back during
the debates. A professional physicist and photo analyst
for more than 30 years, he speaks earnestly and
thoughtfully about his subject. "I am willing to stake
my scientific reputation to the statement that Bush was
wearing something under his jacket during the debate,"
he says. "This is not about a bad suit. And there's no
way the bulge can be described as a wrinkled shirt."

Nelson and a scientific colleague produced the photos
from a videotape, recorded by the colleague, who has
chosen to remain anonymous, of the first debate. The
images provide the most vivid details yet of the bulge
beneath the president's suit. Amateurs have certainly
had their turn at examining the bulge, but no
professional with a résumé as impressive as Nelson's has
ventured into public with an informed opinion. In fact,
no one to date has enhanced photos of Bush's jacket to
this degree of precision, and revealed what appears to
be some kind of mechanical device with a wire snaking up
the president's shoulder toward his neck and down his
back to his waist.

Nelson stresses that he's not certain what lies beneath
the president's jacket. He offers, though, "that it
could be some type of electronic device -- it's
consistent with the appearance of an electronic device
worn in that manner." The image of lines coursing up and
down the president's back, Nelson adds, is "consistent
with a wire or a tube."

Nelson used the computer software program Photoshop to
enhance the texture in Bush's jacket. The process in no
way alters the image but sharpens its edges and accents
the creases and wrinkles. You've seen the process
performed a hundred times on "CSI": pixelated images are
magnified to reveal a clear definition of their shape.

Bruce Hapke, professor emeritus of planetary science in
the department of geology and planetary science at the
University of Pittsburgh, reviewed the Bush images
employed by Nelson, whom he calls "a very highly
respected scientist in his field." Hapke says Nelson's
process of analyzing the images are the "exact same
methods we use to analyze images taken by spacecraft of
planetary surfaces. It does not introduce any artifacts
into the picture in any way."

How can Nelson be certain there's some kind of
mechanical device beneath Bush's jacket? It's all about
light and shadows, he says. The angles at which the
light in the studio hit Bush's jacket expose contours
that fit no one's picture of human anatomy and wrinkled
shirts. And Nelson compared the images to anatomy texts.
He also experimented with wrinkling shirts in various
configurations, wore them under his jacket under his
bathroom light, and couldn't produce anything close to
the Bush bulge.

In the enhanced photo of the first debate, Nelson says,
look at the horizontal white line in middle of the
president's back. You'll see a shadow. "That's telling
me there's definitely a bulge," he says. "In fact, it's
how we measure the depths of the craters on the moon or
on Mars. We look at the angle of the light and the
length of shadow they leave. In this case, that's
clearly a crater that's under the horizontal line --
it's clearly a rim of a bulge protruding upward, one due
to forces pushing it up from beneath."

Hapke, too, agrees that the bulge is neither anatomy nor
a wrinkled shirt. "I would think it's very hard to avoid
the conclusion that there's something underneath his
jacket," he says. "It would certainly be consistent with
some kind of radio receiver and a wire."

Nelson admits that he's a Democrat and plans to vote for
John Kerry. But he takes umbrage at being accused of
partisanship. "Everyone wants to think my colleague and
I are just a bunch of dope-crazed ravaged Democrats who
are looking to insult the president at the last minute,"
he says. "And that's not what this is about. This is
scientific analysis. If the bulge were on Bill Clinton's
back and he was lying about it, I'd have to say the same
thing."

"Look, he says, "I'm putting myself at risk for exposing
this. But this is too important. It's not about my
reputation. If they force me into an early retirement,
it'll be worth it if the public knows about this. It's
outrageous statements that I read that the president is
wearing nothing under there. There's clearly something
there."

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