Hi. C-span 2 will replay the Conyers hearings today, Sunday, at 11 am. Conyers' critique below offers important insights.
And thank you to the several who loved and responded to Kushner and Arthur Miller. I'm often choosing between art and politics, especially on weekend mailings - this one erased the lines and blended the best of both. Ed Why Ridley Scott’s story of the Crusades struck such a chord in a Lebanese cinema Saturday, 4th June 2005, by Robert Fisk http://tinyurl.com/brgfv Long live Ridley Scott. I never thought I’d say this. Gladiator had a screenplay that might have come from the Boy’s Own Paper. Black Hawk Down showed the Arabs of Somalia as generically violent animals. But when I left the cinema after seeing Scott’s extraordinary sand-and-sandals epic on the Crusades, Kingdom of Heaven, I was deeply moved - not so much by the film, but by the Muslim audience among whom I watched it in Beirut. I know what the critics have said. The screenplay isn’t up for much and Orlando Bloom, playing the loss-of-faith crusader Balian of Ibelin, does indeed look - as The Independent cruelly observed - like a backpacker touring the Middle East in a gap year. But there is an integrity about its portrayal of the Crusades which, while fitting neatly into our contemporary view of the Middle East - the moderate crusaders are overtaken by crazed neo-conservative barons while Saladin is taunted by a dangerously al-Qa’ida-like warrior - treats the Muslims as men of honour who can show generosity as well as ruthlessness to their enemies. It was certainly a revelation to sit through Kingdom of Heaven not in London or New York but in Beirut, in the Middle East itself, among Muslims - most of them in their 20s - who were watching historical events that took place only a couple of hundred miles from us. How would the audience react when the Knights Templars went on their orgy of rape and head-chopping among the innocent Muslim villagers of the Holy Land, when they advanced, covered in gore, to murder Saladin’s beautiful, chadored sister? I must admit, I held my breath a few times. I need not have bothered. When the leprous King of Jerusalem - his face covered in a steel mask to spare his followers the ordeal of looking at his decomposition - falls fatally ill after honourably preventing a battle between Crusaders and Saracens, Saladin, played by that wonderful Syrian actor Ghassan Massoud - and thank God the Arabs in the film are played by Arabs - tells his deputies to send his own doctors to look after the Christian king. At this, there came from the Muslim audience a round of spontaneous applause. They admired this act of mercy from their warrior hero; they wanted to see his kindness to a Christian. There are some things in the film which you have to be out here in the Middle East to appreciate. When Balian comes across a pile of crusader heads lying on the sand after the Christian defeat at the 1187 battle of Hittin, everyone in the cinema thought of Iraq; here is the nightmare I face each time I travel to report in Iraq. Here is the horror that the many Lebanese who work in Iraq have to confront. Yet there was a wonderful moment of self-deprecation among the audience when Saladin, reflecting on his life, says: "Somebody tried to kill me once in Lebanon." The house came down. Everyone believed that Massoud must have inserted this line to make fun of the Lebanese ability to destroy themselves and - having lived in Lebanon 29 years and witnessed almost all its tragedy - I too founds tears of laughter running down my face. I suppose that living in Lebanon, among those crusader castles, does also give an edge to Kingdom of Heaven. It’s said that Scott originally wanted to film in Lebanon (rather than Spain and Morocco) and to call his movie Tripoli after the great crusader keep I visited a few weeks ago. One of the big Christian political families in Lebanon, the Franjiehs, take their name from the "Franj", which is what the Arabs called the crusaders. The Douai family in Lebanon - with whom the Franjiehs fought a bitter battle, Knights Templar-style, in a church in 1957 - are the descendants of the French knights who came from the northern French city of Douai. Yet it is ironic that this movie elicited so much cynical comment in the West. Here is a tale that - unlike any other recent film - has captured the admiration of Muslims. Yet we denigrated it. Because Orlando Bloom turns so improbably from blacksmith to crusader to hydraulic engineer? Or because we felt uncomfortable at the way the film portrayed "us", the crusaders? But it didn’t duck Muslim vengeance. When Guy de Lusignan hands the cup of iced water given him by Saladin to the murderous knight who slaughtered Saladin’s daughter, the Muslim warrior says menacingly: "I did not give you the cup." And then he puts his sword through the knight’s throat. Which is, according to the archives, exactly what he did say and exactly what he did do. Massoud, who is a popular local actor in Arab films - he is known in the Middle East as the Syrian Al Pacino - in reality believes that George Bush is to blame for much of the crisis between the Muslim and Western world. "George Bush is stupid and he loves blood more than the people and music," he said in a recent interview. "If Saladin were here he would have at least not allowed Bush to destroy the world, especially the feeling of humanity between people." Massoud agreed to play Saladin because he trusted Scott to be fair with history. I had to turn to that fine Lebanese writer Amin Maalouf to discover whether Massoud was right. Maalouf it was who wrote the seminal The Crusades through Arab Eyes, researching for his work among Arab rather than Crusader archives. "Too fair," was his judgement on Kingdom of Heaven. I see his point. But at the end of the film, after Balian has surrendered Jerusalem, Saladin enters the city and finds a crucifix lying on the floor of a church, knocked off the altar during the three-day siege. And he carefully picks up the cross and places it reverently back on the altar. And at this point the audience rose to their feet and clapped and shouted their appreciation. They loved that gesture of honour. They wanted Islam to be merciful as well as strong. And they roared their approval above the soundtrack of the film. So I left the Dunes cinema in Beirut strangely uplifted by this extraordinary performance - of the audience as much as the film. See it if you haven’t. And if you do, remember how the Muslims of Beirut came to realise that even Hollywood can be fair. I came away realising why - despite the murder of Beirut’s bravest journalist on Friday - there probably will not be a civil war here again. So if you see Kingdom of Heaven, when Saladin sets the crucifix back on the altar, remember that deafening applause from the Muslims of Beirut. *** June 17, 2005 Congressman Conyers Hammers the Washington Post By Congressman John Conyers | Letter Mr. Michael Abramowitz, National Editor; Mr. Michael Getler, Ombudsman; Mr. Dana Milbank The Washington Post 1150 15th Street, NW Washington, DC 20071 Dear Sirs: I write to express my profound disappointment with Dana Milbank's June 17 report, "Democrats Play House to Rally Against the War," which purports to describe a Democratic hearing I chaired in the Capitol yesterday. In sum, the piece cherry-picks some facts, manufactures others out of whole cloth, and does a disservice to some 30 members of Congress who persevered under difficult circumstances, not of our own making, to examine a very serious subject: whether the American people were deliberately misled in the lead up to war. The fact that this was the Post's only coverage of this event makes the journalistic shortcomings in this piece even more egregious. In an inaccurate piece of reporting that typifies the article, Milbank implies that one of the obstacles the Members in the meeting have is that "only one" member has mentioned the Downing Street Minutes on the floor of either the House or Senate. This is not only incorrect but misleading. In fact, just yesterday, the Senate Democratic Leader, Harry Reid, mentioned it on the Senate floor. Senator Boxer talked at some length about it at the recent confirmation hearing for the Ambassador to Iraq. The House Democratic Leader, Nancy Pelosi, recently signed on to my letter, along with 121 other Democrats asking for answers about the memo. This information is not difficult to find either. For example, the Reid speech was the subject of an AP wire service report posted on the Washington Post website with the headline "Democrats Cite Downing Street Memo in Bolton Fight". Other similar mistakes, mischaracterizations and cheap shots are littered throughout the article. The article begins with an especially mean and nasty tone, claiming that House Democrats "pretended" a small conference was the Judiciary Committee hearing room and deriding the decor of the room. Milbank fails to share with his readers one essential fact: the reason the hearing was held in that room, an important piece of context. Despite the fact that a number of other suitable rooms were available in the Capitol and House office buildings, Republicans declined my request for each and every one of them. Milbank could have written about the perseverance of many of my colleagues in the face of such adverse circumstances, but declined to do so. Milbank also ignores the critical fact picked up by the AP, CNN and other newsletters that at the very moment the hearing was scheduled to begin, the Republican Leadership scheduled an almost unprecedented number of 11 consecutive floor votes, making it next to impossible for most Members to participate in the first hour and one half of the hearing. In what can only be described as a deliberate effort to discredit the entire hearing, Milbank quotes one of the witnesses as making an anti- semitic assertion and further describes anti- semitic literature that was being handed out in the overflow room for the event. First, let me be clear: I consider myself to be friend and supporter of Israel and there were a number of other staunchly pro-Israel members who were in attendance at the hearing. I do not agree with, support, or condone any comments asserting Israeli control over U.S. policy, and I find any allegation that Israel is trying to dominate the world or had anything to do with the September 11 tragedy disgusting and offensive. That said, to give such emphasis to 100 seconds of a 3 hour and five minute hearing that included the powerful and sad testimony (hardly mentioned by Milbank) of a woman who lost her son in the Iraq war and now feels lied to as a result of the Downing Street Minutes, is incredibly misleading. Many, many different pamphlets were being passed out at the overflow room, including pamphlets about getting out of the Iraq war and anti-Central American Free Trade Agreement, and it is puzzling why Milbank saw fit to only mention the one he did. In a typically derisive and uninformed passage, Milbank makes much of other lawmakers calling me "Mr. Chairman" and says I liked it so much that I used "chairmanly phrases." Milbank may not know that I was the Chairman of the House Government Operations Committee from 1988 to 1994. By protocol and tradition in the House, once you have been a Chairman you are always referred to as such. Thus, there was nothing unusual about my being referred to as Mr. Chairman. To administer his coup-de-grace, Milbank literally makes up another cheap shot that I "was having so much fun that [I] ignored aides' entreaties to end the session." This did not occur. None of my aides offered entreaties to end the session and I have no idea where Milbank gets that information. The hearing certainly ran longer than expected, but that was because so many Members of Congress persevered under very difficult circumstances to attend, and I thought - given that - the least I could do was allow them to say their piece. That is called courtesy, not "fun." By the way, the "Downing Street Memo" is actually the minutes of a British cabinet meeting. In the meeting, British officials - having just met with their American counterparts - describe their discussions with such counterparts. I mention this because that basic piece of context, a simple description of the memo, is found nowhere in Milbank's article. The fact that I and my fellow Democrats had to stuff a hearing into a room the size of a large closet to hold a hearing on an important issue shouldn't make us the object of ridicule. In my opinion, the ridicule should be placed in two places: first, at the feet of Republicans who are so afraid to discuss ideas and facts that they try to sabotage our efforts to do so; and second, on Dana Milbank and the Washington Post, who do not feel the need to give serious coverage on a serious hearing about a serious matter - whether more than 1700 Americans have died because of a deliberate lie. Milbank may disagree, but the Post certainly owed its readers some coverage of that viewpoint. Sincerely, John Conyers, Jr. http://www.truthout.org/docs_2005/061805Y.shtml --------------------------------------------------------------------------- LAAMN: Los Angeles Alternative Media Network --------------------------------------------------------------------------- Unsubscribe: <mailto:[EMAIL PROTECTED]> --------------------------------------------------------------------------- Subscribe: <mailto:[EMAIL PROTECTED]> --------------------------------------------------------------------------- Digest: <mailto:[EMAIL PROTECTED]> --------------------------------------------------------------------------- Help: <mailto:[EMAIL PROTECTED]> --------------------------------------------------------------------------- Post: <mailto:[EMAIL PROTECTED]> --------------------------------------------------------------------------- Archive1: <http://www.egroups.com/messages/laamn> --------------------------------------------------------------------------- Archive2: <http://www.mail-archive.com/[EMAIL PROTECTED]> --------------------------------------------------------------------------- Yahoo! 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