From: [EMAIL PROTECTED]

Quote of the Day
June 10, 2007

Commencement address at Grinnell College

'I hope that you will treasure the approaches and ways
of thinking that you have learned more than the facts
you have accumulated. For you will never discover a
scarcity of facts, and these facts will be presented in
such a way as to veil the ways of thinking embedded in
them. And so to reveal these hidden ways of thinking,
to suggest alternate frameworks, to imagine better ways
of living in evolving worlds, to imagine new human
relations that are freed from persisting hierarchies,
whether they be racial or sexual or geopolitical - yes,
I think this is the work of educated beings. I might
then ask you to think about education as the practice
of freedom. '

Angela Davis
Professor, University of California,
Santa Cruz

***

http://select.nytimes.com/2007/06/11/opinion/11krugman.html?th&emc=th

Authentic? - Never Mind

By PAUL KRUGMAN
Published: June 11, 2007

Rich liberals who claim they'll help America's less fortunate are phonies.

Let me give you one example - a Democrat who said he'd work on behalf of
workers and the poor. He even said he'd take on Big Business. But the truth
is that while he was saying those things, he was living in a big house and
had a pretty lavish summer home too. His favorite recreation, sailing, was
incredibly elitist. And he didn't talk like a regular guy.

Clearly, this politician wasn't authentic. His name? Franklin Delano
Roosevelt.

Luckily, that's not how the political game was played 70 years ago. F.D.R.
wasn't accused of being a phony; he was accused of being a "traitor to his
class." But today, it seems, politics is all about seeming authentic. A
recent Associated Press analysis of the political scene asked: "Can you fake
authenticity? Probably not, but it might be worth a try."

What does authenticity mean? Supposedly it means not pretending to be who
you aren't. But that definition doesn't seem to fit the way the term is
actually used in political reporting.

For example, the case of F.D.R. shows that there's nothing inauthentic, in
the normal sense of the word, about calling for higher taxes on the rich
while being rich yourself. If anything, it's to your credit if you advocate
policies that will hurt your own financial position. But the news media seem
to find it deeply disturbing that John Edwards talks about fighting poverty
while living in a big house.

On the other hand, consider the case of Fred Thompson. He spent 18 years
working as a highly paid lobbyist, wore well-tailored suits and drove a
black Lincoln Continental. When he ran for the Senate, however, his campaign
reinvented him as a good old boy: it leased a used red pickup truck for him
to drive, dressed up in jeans and a work shirt, with a can of Red Man
chewing tobacco on the front seat.

But Mr. Thompson's strength, says Lanny Davis in The Hill, is that he's
"authentic."

Oh, and as a candidate George W. Bush was praised as being more authentic
than Al Gore. As late as November 2005, MSNBC's chief political
correspondent declared that Mr. Bush's authenticity was his remaining source
of strength. But now The A.P. says that Mr. Bush's lack of credibility is
the reason his would-be successors need to seem, yes, authentic.

Talk of authenticity, it seems, lets commentators and journalists put down
politicians they don't like or praise politicians they like, with no
relationship to what the politicians actually say or do.

Here's a suggestion: Why not evaluate candidates' policy proposals, rather
than their authenticity? And if there are reasons to doubt a candidate's
sincerity, spell them out.

For example, Hillary Clinton's credibility as a friend of labor is called
into question, not by her biography or life style, but by the fact that, as
The Nation recently reported, her chief strategist - a man Al Gore fired in
2000 because he didn't trust him - heads a public relations company that
helps corporations fight union organizing drives.

And where do you start with Rudy Giuliani? We keep being told that he has
credibility on national security, because he seemed so reassuring on 9/11.
(Some firefighters have condemned his actual performance that day, saying
that rescue efforts were uncoordinated and that firemen died because he
provided them with faulty radios. "All he did was give information on the
TV," said a deputy fire chief whose son died at the World Trade Center. "He
did nothing." And the nation's largest firefighters' union has condemned his
handling of recovery efforts in the weeks following 9/11.)

But he's spent the years since then cashing in on terrorism, and his
decisions about Giuliani Partners' personnel and clients raise real
questions about his seriousness. His partners, as The Washington Post
pointed out, included "a former police commissioner later convicted of
corruption, a former F.B.I. executive who admitted taking artifacts from
ground zero and a former Roman Catholic priest accused of covering up sexual
abuse in the church."

The point is that questions about a candidate shouldn't be whether he or she
is "authentic." They should be about motives: whose interests would the
candidate serve if elected? And think how much better shape the nation would
be in if enough people had asked that question seven years ago.

***

http://select.nytimes.com/2007/06/11/opinion/11kristof.html?th&emc=th

The Poets of War

By NICHOLAS D. KRISTOF
Published: June 11, 2007
Last month I invited readers to send in poems for my second Iraq Poetry
Contest.

(These excerpts don't do the poems justice - please read the full versions
on my blog, www.nytimes.com/ontheground.)

More than 500 poems poured in, and one of those that moved me most was from
Frances Richey of New York City. Her son, Ben, had been deployed in Iraq.
Ben always sent a gift for Mother's Day, but this time nothing arrived and
he was unreachable.
"I was terrified," she told me, and she wrote a poem about what happened:

Last Mother's Day, when

he was incommunicado,

nothing came.

Three days later, a message

in my box; a package,

the mail room closed.

I went out into the lobby,

banged my fist against

the desk. When they

gave it to me, I clutched it

to my chest, sobbing

like an animal.

I spoke to no one,

did not apologize ...

Susan Donnelly, who lives in Cambridge, Mass., and has written several books
of poetry, wrote this poem after seeing photos from Iraq:

These figures stand the way we

humans do always:

one covering his face,

another looking to heaven.

But it is the gesture of the third,

perhaps a brother,

who has placed his open palm,

protective, firm,

on the chest of a dead man

there you can go now

that makes me, miles away

and in the wrong country,

cover my face with my hands.

In April, The Times published an article about Sam Ross, who had been
welcomed as a hero in his Appalachian town when he returned blinded and
disabled from the war - but whose life then spiraled downward and out of
control, leaving him in prison and then a psychiatric hospital. Gordon Fain,
a U.C.L.A. professor, wrote a ballad about him:

Just a coin toss,

Heads it was someone else, tails it was Ross

A volunteer

Who went to Iraq, was helping to clear

Mines to a pit

Then heard a discharge, felt the metal hit

His legs and face,

The fragments finding every open place

Of flesh and bone;

And when he woke, he lay in bed alone

Amazed to find

That he had one leg cut off and was blind.

The whole town made

Sam Ross a hero: bagpipes, a parade

A home they set

On top of a hill, but he could not forget ...

Insistent dreams

Of floating, in which his whole body seems

In peaceful flight

To burst apart in searing flames of light ...

So he began

To drink, and young men took him in a van

>From his house, down

To every bar and strip club within town. ...

Then a fourth-grade student in the South Bronx, Raphael Sosa, submitted
this:

I feel sad.

my friends are angry;

I'm scared.

how did my father die?

who killed him?

my father has died.

the tv tells me we won

but my father died.

my father is dead.

A lump in my throat, I checked with Raphael's teacher. He assured me that
the poem was only a product of the boy's imagination.

These excerpts don't do the poems justice - please read the full versions on
my blog, www.nytimes.com/ontheground.

Throughout history, the most memorable accounts of war - from Homer to
Wilfred Owen - haven't been journalistic or historical, but poetic. For
whatever reason, the ugliest of human pursuits generates some of the most
beautiful human handiwork.

So let's add these poems, as one more monument to the folly of this war -
and one more memorial to those who will never rejoin their families.

You are invited to comment on this column at Mr. Kristof's blog,
www.nytimes.com/ontheground.
Next Article in Opinion (5 of 17) ยป



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