gus chavez wrote:

> Filmmaker Phillip Rodriguez , 47, is a senior fellow at the Annenberg 
> School for Communications at USC. His earlier documentaries include 
> “Los Angeles Now” and “Mixed Feelings: San Diego/Tijuana.”
>  
> “Brown is the New Green: George Lopez and the American Dream,” which 
> airs Thursday, on KPBS. The hour-long film explores the way Latinos 
> are perceived by the media and marketers – and how they perceive 
> themselves.
>  
> "The timing of his new film has raised some eyebrows. It comes 11 days 
> before PBS begins airing Ken Burns' seven-part epic about World War 
> II, “The War,” which has been criticized for months by Latino 
> activists. They said the filmmaker overlooked the experience of 
> Latinos on the battlefield and the homefront. "
>  
> "he thinks PBS is eager to air his documentary first because “they had 
> egg on their face” from the Burns controversy."
>  
> Read attached article.
>  
> Gus Chavez
> Defend The Honor



San Diego Union Tribune

Minority report
 
Documentary explores how the quickly rising Latino population fits into 
U.S. society
By John Wilkens
STAFF WRITER
September 10, 2007
If the demographers are correct that Latinos will be a majority in 
California by 2042, filmmaker Phillip Rodriguez has a question: “Who are 
these new neighbors?”
 
CLAUDIA ROCHA
Comedian George Lopez learned to "walk a tightrope between ethnic 
authenticity and prime-time appeal," according to a new documentary.
He searches for answers in his documentary, “Brown is the New Green: 
George Lopez and the American Dream,” which airs Thursday, on KPBS. The 
hour-long film explores the way Latinos are perceived by the media and 
marketers – and how they perceive themselves.
“Americans are in a collective state of confusion about Latinos,” 
Rodriguez said.
He's not surprised. It starts with terminology. Most Latinos don't call 
themselves Latino; they are more likely to identify themselves by their 
country of origin. Hispanic? That's a term the federal government came 
up with for record keeping.
And it's a myth, Rodriguez said, to consider Latinos a homogenous group.
“What are the commonalities between a member of the Cuban bourgeois who 
came here in 1959, and a peasant from Michoacan who came here 
yesterday?” he asked during a phone interview from Los Angeles, where he 
lives. “Other than language, and maybe Catholicism, I'm not sure there 
are many.”
DETAILS

“Brown Is the New Green”
A documentary about how Latinos are perceived by the media and marketing 
companies.
When: Thursday, 9 p.m.
Where: KPBS / Channel 15

Yet as his documentary shows, many media and marketing companies 
continue to treat Hispanics as monolithic, and that in turn is shaping 
how America understands the nation's largest (44 million) and 
fastest-growing ethnic group.
Or doesn't.
“Latinos are caught in a netherworld,” Rodriguez said. “Mainstream media 
have largely ignored them, while Spanish-language networks and Hispanic 
ad companies have served up an exoticized image that has no basis in 
contemporary American reality.”
One notable exception is comedian George Lopez, he said. Before being 
canceled this year after five seasons, “The George Lopez Show” was the 
longest-running English-language program with a Latino lead in TV history.
The documentary starts with footage of Lopez heading to a stand-up 
comedy appearance – first in a helicopter, then a limousine. He's 
arrived, in more ways than one.
Talking about his popularity, Lopez says: “Finally there is someone that 
you can invest in that looks like you, speaks like you, relates to 
things you relate to, and makes our culture OK to talk about.”
 
CLAUDIA ROCHA
Filmmaker Phillip Rodriguez (left) with Lopez following the comedian's 
performance at the Long Beach Arena.
Rodriguez likened Lopez to Bill Cosby, whose 1980s sitcom “normalized” 
African-American life for a wider audience. Lopez, he said, “is a case 
study of someone who managed to introduce this brown Mexican-American 
identity to mainstream audiences.”
By following Lopez around – to his stand-up act, to a sitcom writer's 
meeting, to the set of the show – the film addresses an important 
question, Rodriguez said: “How does an outside culture get on the inside?”
Cosby's show was criticized in some quarters as too bland; Lopez, too, 
has been accused of sanding off some of his sharp edges. He doesn't deny 
it.
“I've been in meetings with Warner Bros. when I wasn't particularly 
happy with what I was hearing,” Lopez recounts in the documentary. “The 
Chicano in me would say, 'I'm leaving.' But when you leave, you're out. 
So I made myself stay. Probably a lot of people would say that's selling 
out. But it's not selling out. It's the way the business is set up.”



[Non-text portions of this message have been removed]



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