Review: Reporting America's 'Dirty Wars'
Richard Rowley's documentary is a sobering account of Jeremy Scahill's 
reporting on the war on terror in the Middle East and Africa, and the effects 
of its clandestine operations.


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A scene from "Dirty Wars." (Handout / June 6, 2013)

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By Robert Abele
June 6, 2013, 6:40 a.m.
Richard Rowley's documentary "Dirty Wars" is a sobering account of acclaimed 
journalist Jeremy Scahill's reporting on the war on terror in the Middle East 
and Africa, and the effect its clandestine operations have had not just on 
those shaken by its violence but also on Scahill himself. He's the increasingly 
weary, die-hard truth-seeker covering a military/political apparatus built on 
shielding those truths from the American public.

Narrated by Scahill, author of a blistering expose of Blackwater and the 
private military contractor's role in theIraq war, and a more recent book, also 
called "Dirty Wars," the film takes an atypically personal approach to a doc 
genre that has rarely needed more than grim footage, testimonials from victims 
and an omniscient narrator to generate interest and/or outrage in America's 
win-at-all-costs approach to its enemies.

Essentially, "Dirty Wars" is about the toil of such reportage as the story 
itself. When Scahill digs into a suspicious 2010 night assault in Gardez, 
Afghanistan, that killed two pregnant women, he gradually uncovers the Joint 
Special Operations Command, or JSOC, a secretive military unit that would 
ultimately gain elite hero status for the Osama Bin Laden raid that took out 
the Al Qaeda leader.

PHOTOS: Summer Sneaks 2013

But faced with evidence that JSOC has broad operational power outside of 
Congress, and an ever-expanding kill list, Scahill becomes both reporter and 
subject, a noir figure of sorts, rooting out a morally queasy side of the war 
while charting his own emotional weather, as Rowley's camera returns time and 
again to Scahill's face. (The fact that some of Scahill's interviewees — 
government retirees distressed by America's war policies — are shielded, adds 
to the conspiracy-style vibe.)

The personalized technique doesn't always work, especially when Scahill is with 
grieving citizens in targeted countries. Not every interview needs his glumly 
empathetic mug. The movie is effective enough in what Scahill unearths, 
particularly in the case of radicalized American citizen Anwar al Awlaki, 
killed in a drone strike with scary implications as to whom the U.S. can mark 
for elimination.

The ambitions toward '70s-era paranoia thrillers aside, as a connect-the-dots 
narrative, "Dirty Wars" is eye-opening, a fierce argument that there are 
chilling ramifications to endless, vague aggression.

--

'Dirty Wars'

MPAA rating: None.

Running time: 1 hour, 27 minutes.

Playing: The Landmark, West L.A.




[Non-text portions of this message have been removed]



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