Hi Tamara!

What you're describing (unless I completely miss my guess)
is the organized work of a Binche student who is following
Michael Giusiana's study guide, which has been chatted about
on this list quite a bit.  I know that one of my fellow
guild members is a good bit more advanced in Binche than I
am, and she has progressed very nicely in the guide, and is
keeping things very organized.

At any rate, if this is study guide work, the pieces you saw
are samples of the many Binche grounds we are required to
work as we go through the guide.  Usually, the samples are
consistent in size (depending on the source of the
pricking).  But as one completes level one, an "application"
requirement is to modify the size of several of the
pricking, and change the thread size accordingly.  So you
may have been looking at a portion of Kay's level one...
There are actually 18 samples to work in that level, and
then the variations in the "application" section (total
samples in this component =9), so altogether, there will be
27 samples completed for level one.

I think I may have completed six samples!!  I confess, I'm
not disciplined enough to work samples in between projects
(or have a sample pillow going all the time!)

Clay


> There were two non-competitive entries in the Educational
category,
> both greatly appreciated. One was truly educational - a
big board,
> titled "Handmade Bobbin Lace", with (fully finished) small
and
> medium-sized pieces in 3 areas: Torchon, Milanese and
Bucks Point.
>
> The other was less educational, in that it had no title,
and no
> explanations, except on the entry ticket stub. All the
same, it was
> *fascinating*. It consisted of - maybe - 12 Binche samples
of varying
> widths, lengths, scale, thread thickness and complexity of
design.
> Showing where and how the pairs were hung in and where
they were
> whacked off (because the maker gave up? Because she "got
it", and
> decided to try on a full-sized project?). All mounted on a
piece of
> black velveteen and framed as a picture. Quite frankly, I
liked it much
> better than the same person's finished Binche piece,
framed the same
> way... :) And it's, probably, one of the most imaginative
(and easy; I
> love "easy" <g>) way of turning trash into gold...

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