Hello one and all,
I would like to add if you take the diagram you are working with  (enlarge it 
and have it colored in) have 
it laying on some styrofoam beside your pillow.  The  one thing that has pulled 
me out of many holes is to also put a pin in the same place on the enlarged 
diagram as you just put on your pillow.  I also have trouble with roseground so 
this helps me with my problem.
Mary Derrick

Tamara P Duvall <[EMAIL PROTECTED]> wrote:
On May 20, 2005, at 13:12, Lynn Weasenforth wrote:

> I am writing to ask for some help, I am trying to do roseground. I am 
> working
> in Bobbin Lacemaking by Doris Southard, on page 153-154 there is a 
> little
> coaster or doily, I have tried and tried and I can't get the 
> roseground to
> work, can anyone help me.

The "broken rhythm" of roseground can be confusing; you don't work down 
a diagonal line, pin by pin, the way you do in most other grounds (like 
Torchon, for example). Southard recognises that, and makes a point of 
devoting a separate chapter to the subject. Making the samples on pp 
87-92 (one an insertion/bookmark, one an edging) will teach you all you 
need to know about the sequence of making a single "rose", and how 
those "roses" connect, and which stitches Southard prefers to use 
where, and how the variations end up looking.

There's another edging with roseground in it, which builds on the 
previous experience (fewer explanations) on p 124. That's the second 
pattern in chapter 8 titled: "How to Begin Without Directions". The 
first sentence of it is: "I hope you're beginning to have confidence in 
your own ability to work out a new pattern without directions". 
Obviously, it presupposes that you'd done *all* your exercises like a 
good little lacemaker :) And, even so, it gets you started with a 
*straight* piece, not a square one.

If roseground *as such* is your problem, you should be all set, both 
for explanations and for practice - with, and without every pin being 
marked in sequence.

The little coaster/medallion you're referring to (pp 154-5 in my copy 
of the book) is a different story altogether... :)

For those who don't have the book, I'll explain. There's a single 
(generic? ) pricking, with photos of 3 different pieces of lace 
shown; each of the pieces can be made on the same pricking, with the 
"fir" fan edges being common to all 3, but with different "insides".

The problem is that the "insides" markings on the pricking are drawn to 
match only one of the 3 photos - the first one, with cloth stitched 
trails. That means that the little diamonds usually marking the 
roseground are *not there*. One has to copy the pricking - probably by 
hand, on tracing paper - omitting the lines for the trails, and putting 
in the diamonds for the "roses" (diamonds? roses? is it Valentine's Day 
*again*??? ) instead.

Additionally, the "medallion" is a square - you work one triangle, turn 
the pillow 90 degrees, work the next triangle, etc. Working a square is 
often a problem in itself but, in the book, the nearest one can get to 
help on how to deal with it is by working some of the corners earlier 
on (chapter 7: "Turning a Corner") - an inward pointing triangle is, in 
essence, an extention of a corner: it just moves deeper in. "Bells 
corner II" (p 102) and "Rose edging corner" (p 104) would be probably 
the most relevant ones to the square with roseground, though both would 
need some "extending" - in depth, in combining the two patterns (one 
has the "right" fan at the edge, the other has the roseground on a 
diagonal). And neither of them starts at a corner, which a square - 
inevitably - does.

And just to rub some salt in... :) My copy of the book says: "begin 
with pairs 8 and 9" (out of 14), but you have to have it "in your 
blood" to know, "instinctively" (even "instinct" can be taught ), to 
start counting from left to right. Not that it would do you a blind bit 
of good - nor understanding roseground, either - *to* start on those 
pins and converging on the pin below, if you want to get the same 
result as that pictured... I've been playing around half the evening, 
drawing in the diamonds (it's nice, having a copier at home, and being 
able to start over without having to erase the earlier efforts ), 
and still can't figure how to do it, while hanging in on those pins... 
The pattern has a rose going down the centre of the diagonal - ie, it 
goes against the principle of having a rose each side of the 
corner-bisecting line... :)

I think I *could* make this pattern up *and* match the photo, but would 
not recommend that Lynn, with much less general experience, should try 
it this minute :) As it is, with Torchon being - generally - in my 
deeply buried past, I'm happy that the particular pattern doesn't "sing 
to me" to the point where it's "do, or die in the attempt"... 

-- 
Tamara P Duvall http://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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