In a message dated 7/29/05 10:37:55 AM Eastern Daylight Time, 
[EMAIL PROTECTED] writes:


> after you have threaded the needle there will still be two 
> threads hanging either side of the needle and they will  lie beside each 
> other and go through the fabric in exactly the same way whichever way you 
> have threaded the needle.
> 
> So is the action of putting the thread through the needle the part which 
> causes the problem with the thread - roughing up the fibres if you put it 
> through the wrong way? Or is there something I'm missing altogether as I 
> draw diagrams
> 
> 

Dear Sue,

I was taught not to double up sewing thread.  When you thread the needle, the 
end you used (off the spool) becomes the short thread (no more than 3" long 
because it will be thrown away where it wears against the needle's eye).  The 
long end gets the knot.  If you use the proper size needle, the needle will not 
become unthreaded.  The longer piece is the thread that sometimes tangles and 
gets in knots if thread does not go through the needle and into the fabric 
with the grain.

Over-twisting Thread Prevention:

As you stitch, rolling the needle in your fingers just a little of the way 
around after stitches will prevent too much twisting.  You'll have to look at 
what the thread is doing to determine which way to always roll the needle.  It 
depends on how you stitch, what stitch you are using, and which hand you use.  
Some people may not have this problem.
 
Many self-taught stitchers are not taught the following, and they wonder why 
the quality of their work is not like what they see in pictures in a book:

If you are embroidering, you should be taught to not double thread.  Instead, 
you determine the grain, cut the thread and pull out as many strands as you 
need one-by-one.  The way to do this is to hold the six strands between your 
left index (pointer) finger and thumb with about 1/2 " loose above the finger 
grip.  The threads should drop vertically.  Then, you choose one strand and 
pull 
it straight UP with your right hand.  It should come out easily.  If the 
thread tangles just a little it is easy to straighten out the 5 remaining 
threads 
before pulling thread #2.  If the thread tangles into a mess, you are pulling 
against the grain!  You lay each thread side-by-side on your work surface or 
arm of arm chair until you have the correct amount (before you do this, dismiss 
the cat!), then put the knot in the proper end (the end that was dangling 
below your hand).  Even up the threading end with scissors, and thread your 
needle.  (I put a loose knot in any leftover threads at this point, so I know 
which 
end is which when I go back for more, because I may need to cut another 
length to get the proper number of threads.  In fact, for a large project, I 
prepare a lot of thread in advance.)  You would do the same thing if separating 
a 
skein of Au ver a soir (silk) floss.  This product comes with 7 threads in the 
skein, so you can easily tell what is cotton (6 strands) and what is silk!  

The separation of threads, then put back together, insures that the threads 
are less likely to twist when you embroider.  You will also get better coverage 
for satin, buttonhole, cross stitches, and others!  You can learn to use a 
laying tool (large darning needle will work) to stroke the satin stitch threads 
and they will lay straight side-by-side.  (I actually lay threads in cross 
stitch when I use more than one thread - and it makes cross stitch look 
wonderful.)  This technique is illustrated in some books, and needs to be seen 
to do 
properly.  To do this, you have to have your fabric on a stretcher, and you 
have 
to sit at a table like a professional - which is easier on your neck and 
back..   *When all threads in the needle are going in the same grain  direction 
you get a beautiful result that will gleam in the light like satin.* 

DMC used to print a little hand on one of the two labels holding floss 
skeins, to tell people which tail to pull from the skein.  This meant a more 
intact 
remaining skein.  With the new cheaper thread they now distribute (probably 
thanks to WalMart and other stores that demand "cheaper"), this label seems to 
have gone by the wayside.  The thread has become of lesser quality and is more 
difficult to use.  People have resorted to winding the skeins on small square 
thread winders.  Some people have such sensitive finger tips, they can detect 
the grain.  This comes with practice.

Thread Length:

The thread you sew or embroider with should not be more than 18" long.  I use 
the length from the tips of my fingers to my elbow and add a couple inches as 
my thread cutting guide.  If you find that your thread shows wear:  It could 
be from an incorrect needle, a damaged needle, or just your stitching 
technique.  If technique, you should cut the thread shorter.

Ironing Threads:

Cotton and other fibers that people stitch with sometimes benefit from 
smoothing, but you do not have to get out an electric iron.  In needlework 
shops 
they sell little plastic boxes containing a small sponge.  If you pull thread 
through a damp folded white sponge (it should have no soap in it), you iron out 
any wrinkles (especially those from hand winding floss on those small square 
thread winders (either white card or plastic) that some people now use to 
organize floss.  A quick and inexpensive way is to fold a acid-free paper towel 
(Bounty brand) into a pad, dampen it, and pull the thread(s) through that.  I 
do 
this just before I knot and thread my needle, with the grain, again holding the 
several threads vertically.  Put the paper towel on a small saucer - and not 
near metal sewing tools.  One benefit is you can sometimes tell if a dye will 
run - if it stains the white sponge or paper towel 

This ironing tip is a good tip for bobbin lacemakers who have chosen an 
unusual gimp thread that could benefit from "ironing".  Never use an iron on 
synthetics that will melt -- in fact, it is unwise to use synthetics because in 
the 
future someone who knows less about thread than you do will mistakenly iron 
them.  Also, the raw materials used to make synthetics causes them to 
disintegrate faster than natural fibers.  Judge what to use, based on how long 
you want 
your creation to "live".

Needles:

The eyes are made with a stamping tool, and then the under side is filed to 
smooth off rough edges.  If you have trouble threading a needle, you may be 
using the underside of the eye.  Roll the needle around and try from the side 
the 
stamping equipment first hit to make the eye of the needle.

I am deeply sorry that schools no longer offer sewing and embroidery and lace 
lessons.  However, old home economics books are plentiful and cheap.  One 
such book can offer many tips that are helpful.  Noone likes tangled threads.

There is a lot more information you could learn, but this is it for today's 
"lesson". You sounded so in need of some additional guidance, Sue, and I hope 
this will help.

Jeri Ames in Maine USA
Lace & Embroidery Resource Center 

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