Dear concerned Lacemakers,  

The archives contain some of my past memos on this subject.   I have a 
Public Relations background and have tried to share that  experience with 
_Lace@Arachne_ (mailto:Lace@Arachne)  ever since our correspondence  started 
about 
16 years ago.  I am resurrecting this  2005 correspondence that was on 
Arachne between Devon and myself, because  it may be helpful to some who are 
new 
to Arachne or who were not interested back  then.  You may be able to apply 
my basic ideas to your cities and  towns.
-------------------------------------------------
In a message dated 10/25/05 9:08:59 AM Eastern Daylight Time, 
[EMAIL  PROTECTED] writes:    (from Devon)

One problem that I  observe with drawing the young into our deviant  
lifestyle, is that  none of the lace lessons around here are in cities. New 
York City is very  large and there are young people taking all sorts of 
lessons... 
it   just goes to show you that youngish people still have an excess of 
time  and  optimism to acquire arcane skills.

However, there is  nowhere in New York City that one can take a lace 
course.  

The  teachers are located outside the city in places where older people  
live, 
feel safe, can raise children, and so on. They tend to teach in their homes 
 
or suburban adult schools. Impediments to teaching in New York include  
finding an affordable place to teach, since you rarely clear much money in  
lace 
teaching, and hauling all the materials into the city, parking in some  
place 
close enough to haul the materials,  etc.
-----------------------------------------------------------------
Dear  Devon,    (from 2005)

I know you share my belief about  needing to present lacemaking as an 
activity 
enjoyed by young people - in  order to even tempt media coverage that will 
reach those young people.   We need media attention to get the lace message 
to 
the public.  The  media is not interested in cultural news that features 
anything 
resembling a  "dowager-type" image.  It does not sell - by which I mean it 
does 
not  prompt people to buy a newspaper or magazine, or spend time looking at 
a  
program about it.  Advertisers expect large circulation or number of  
viewers, 
and the media must keep this uppermost in their priorities.   

It is absolutely essential to parade our few young lacemakers before the  
public and media.  I found this to be true when doing publicity for  lace 
and 
embroidery exhibitions, and you found this to be true during the  
International 
Old Lacers convention in New Jersey in 2003.  Both of us  have had great 
difficulty 
explaining "Old" Lacers to anyone representing the  media.  For several 
years, 
I worked in Public Relations positions on  Madison Avenue and at a major 
New 
York newspaper.  Youth is what sells  - in spite of the fact that it is an 
older 
group that can afford both time  and money - in this case, for lace-related 
activities.  It must be our  focus, regardless of what we "see" or 
"experience" 
as being our largest  actual segment and age group signing up for classes 
and 
membership in  guilds.  

Think about this:  The models we see in fashion shows  and on web sites 
wearing laces are young.  Young!  When I wear  laces (and some are truly 
magnificent), they are hardly noticed - even in a  museum setting.  I wore 
laces 
each of the three times I went to the  lace exhibit in Baltimore, so have 
recent actual 
experience to fall back  on.  When I was young, and wore embroidered and 
lace 
embellished  clothes, it used to prompt conversation from the most 
interesting  
people.  No longer, even though I am young at heart..   

*Future of Lacemaking*  

I am not convinced there are no  lace teachers in New York.  I suspect we 
just 
have not found  them.  I wonder if FIT could be approached with the idea of 
your  teaching some of their students, and perhaps allowing others to 
attend?   
Not for credit, but as an extracurricular activity - to get a lace  
foot-in-the-door?  

What about space at the 90-something(?) Street Y  in New York, which used 
to 
offer all sorts of evening classes and  lectures?  I think they still do.  
I'm 
not sure about facility  appropriateness (cleanliness and good lighting), 
but it 
might be a  possibility.  Cooper Hewitt Museum (branch of the Smithsonian) 
has 
on  rare occasions offered one-day classes - but they did not receive 
adequate  
publicity or participation.  You will remember that we attended  Radmila's 
Saturday class there - over a dozen years ago.

Career women  might like to make lace, if it is convenient to take a class. 
 
Large  numbers have taken to knitting.  I remember how eager I was to join 
The  
Embroiderers' Guild of America 35 years ago.  Manhattan had one of the  
first 
evening chapters.  We met (and they still do) on the same day as  their 
daytime 
meeting so the same program can be presented, right after work  hours, in a 
convenient and safe neighborhood.  Unfortunately, they meet  in a church 
that 
now charges *very* high rent, and they must pay very high  dues to pay for 
it.

I wonder if an art gallery with a textile orientation  would be willing to 
encourage a lace class - if they could take some sort of  tax credit for 
the use 
of their space/facility?

How about teaching  children in a museum setting?  The Metropolitan has an 
education  department for children.  Has the subject ever been discussed?  
The  
museum offers lectures for adults.  Does it offer classes,  also?

How about re-instituting something similar to the Lace Guild of New  York 
that 
met on Saturdays?  I happily drove from suburban New Jersey  to the city 
for 
meetings and always found a place to park.  I recall  that every European 
lace 
expert that passed through New York stopped long  enough to attend our 
meetings. 

It was very stimulating.  However,  the meeting places were grungy.  The 
group 
needed new blood and more  volunteers, and folded.  A nice meeting place, 
and 
they might be more  successful.  Ask your friend at the Ratti about this.  
She 
taught  at the Lace Guild of New York.

Or, you might just start with a few people  who get along well, like we do 
in 
Maine.  We pay no dues, keep no  minutes, meet in homes, and focus on lace 
- 
not on business meetings,  financing, minutes, etc.  We set up our 
arrangements 
by e-mail and  drive long distances for the pleasure of compatible company. 
 Had 
it  been suggested when I lived in NYC, I would have been able to hold 
small  
meetings in my apartment.  However, I suppose in the city you have to  be 
worried about theft, or someone suing the hostess?  What a terrible  loss, 
to be 
worried about legal action from a group smaller than would be  invited to a 
dinner party.  We have a lot of fun in Maine when less  than 6 lacers get 
together to 
share. 

Jeri Ames in Maine USA
Lace  and Embroidery Resource Center 
(Past resident of New York City for 13  years)
(Past resident of suburban New Jersey - near Devon - for 20  years)

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