I was informed about a lecture this evening which I'm planning to attend.

Today, on Monday April 15^th , David Hopkin from the University of 
Oxford will give a talk called:

"*The Visionary World of the Lacemaker*"**

David sent a short presentation of the lecture:

"Handmade lace is a strange textile which comes laden with meanings 
beyond the sartorial.  According to numerous legends its origin was 
divine, and lacemaking skills were often taught in pious institutions.  
It was a luxury product, sponsored by aristocrats, although made by the 
poorest in society.  Both the product and its production were associated 
with the enforcement of female submission and modesty, but at the same 
time it carried an erotic charge.  As lace was the last textile whose 
manufacture was mechanised we have an especially privileged access into 
the working world of lacemakers.  In the nineteenth century they were 
the subject of considerable attention from the Church, from aristocratic 
patrons and from the state keen to encourage home-working.  But they 
were also visited again and again by folklorists because lacemakers' 
collective work patterns encouraged storytelling and singing.  Many of 
the most important folksong and folktale collections from Flanders and 
France were made among lacemakers.  What do these texts tell us about 
lacemakers' lives and their relationship with their craft? Lacemakers 
rejected many aspects of what the state, church, lace-entrepreneurs and 
family patriarchs had in mind for them. What emerges instead is their 
relationship to the supernatural and the visionary quality of 
lacemakers' imagination."

I'm not sure that I agree with the last few sentences. But I will share 
my impressions.
Penelope in Tartu, Estonia where the snow is finally melting,

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