Thanks to all who have responded (and who have yet to?) The young scholar is primarily interested in Buratto made on a woven base. We had a few pieces out in the study room the other day, and it was very interesting to see the range of technique. I might add that she is limiting her study to colored pieces as that will allow her to learn things about the dying. I think that I perceive her moving in the direction of studying the pieces of Buratto that are colored, and that have stitching that goes beyond the simple process of weaving in and out with a thread to make a woven appearance. Some pieces have very diverse stitching resembling satin stitch and even the sort of stitching one might see in needlepoints -at least to my untutored eye. Has anyone tried this, or know of any treatment of it? Devon
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