In the copy of the book which I have, the caption on the picture says, "MAT
FOR TRAY", "Worked by Mrs. Dixon, Clapham, Beds.  Design by C.C. Channer"

My book indicates that Miss Channer first published her book in 1928.  In
1972, M. Waller published a revised edition, and this was reprinted in 1984.
So, it would be interesting to see what the original edition says about the
origin of the mat. (Mine is the 1984 edition.)

Out of curiosity, I compared the picture in the Channer book to the picture
which accompanies the pricking.  Apparently, it is the same piece of lace,
because there are "anomalies" consistent to both photographs.  The picture of
the mat in the book is 5.75 inches by 3 inches and is grainy to start with.
The picture with the pricking is 13 inches by 8.5 inches, and is very sharp
and clear.   So, before anyone could even attempt to create a pricking from
the picture in the book, the picture would have to be enlarged over 200%!
That would make it impossible to see the individual threads, let alone the
paths the threads take.

But even more interesting is the fact that the pricking was published as a
"Supplement to In the Cause of English Lace by Anne Buck". This was in 1991.
So, as you say, attention to copyright has changed a lot!

Clay

Sent from my iPad

> On Jan 4, 2014, at 8:25 AM, dmt11h...@aol.com wrote:
>
> Is there any reason to believe that Miss Channer designed the  mat? When I
> started lace there were several patterns that were associated with  my
> teacher, but she did not design them. She made and sold the  prickings.
>
> In fact, when I started making lace in the 1970s the concept  of copyright
> was not widely understood among lacemakers. Many considered every  pattern
> to be traditional and in the public domain. Others exerted some kind of
> proprietary ownership in patterns that was based on nothing but habitual
use.

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