Are any of you in the U.K. interested in further comments about Constance
Howard's mural?  If there is no response I will stop sharing Ann Bernard's
postings.  Her second posting is at: 
http://annbernard.com/2018/05/29/the-country-wife-mural-2/ 
 
Ann was a student at the Royal School of Needlework about 60 years ago, and
now lives in Canada. She is seeking input about lives of women in the
post-WWII period. Perhaps someone has comments about the Lacemaker in the
lower right corner for her?
 
Back then, many of us made nearly all our clothes. We did not have the
relatively inexpensive clothing now often made in the Far East. Career
clothing for the few women who worked in business was expensive. Even in
America, our fashion choices were very different from today.
 
Have you looked at photos of groups of lacemakers in your guild publications
lately?  They seem to be uniformly attired in easy-care tee shirts and pants
- everywhere in the world. If you are a lacemaker, please add some feminizing
lace.  This week I've been harvesting lace motifs from my stash of old
damaged laces (saved  to repair other laces) - for just this purpose.
 
Jeri Ames in Maine USA
Lace and Embroidery Resource Center
----------------------------------------------------

Sent: 6/1/2018 10:10:26 AM Eastern Standard Time
Subject: New post published The Country Wife Mural 3 on Stitching Idyllic
website

Hello Jeri Ames,

I have published new post on Stitching Idyllic website. The Country Wife
Mural 3

The ladies choir is in full voice.  Look at their faces, their expressions,
their hats and their clothes.  Fabric was in short supply in those post war
years so that it is possible that the different fabrics came from available
stashes.  Make do and mend was still prevalent at the ...

You may view the latest post at
http://annbernard.com/2018/06/01/the-country-wife-mural-3/

Thank you,  Ann Bernard

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