Interesting thread (pardon my pun :-) ) on shredding threads.

Devon got me thinking about how I wind my bobbins (East Midlands) and Alex
got me thinking about my cover cloths.

I have to admit that I don't stick with tradition and have my hitch on the
head of the bobbin - I have it on the neck.  I've used some quite
frustratingly slick threads at times, and have had to double hitch them
(before I knew about using tiny butterfly hair clips), and it's really tough
to keep a double hitch (esp. in a gimp) on the little heads, so I just do
them all on the neck now for less aggravation.  I used to wind my thread on
to my bobbins by rotating my right hand (with thread) around the bobbin, and
I think I had a little more trouble in those days.  I now do a couple of
turns like that to get a bobbin going, but I now roll/spin the bobbin onto
the thread - more like a bobbin winder.  I also have the thread come off the
spool by turning the spool, like a sewing machine winder might, rather than
feeding off the top like a serger (although I will do that sometimes).
Don't know if that has anything to do with it.

I haven't found this to be a problem to my threads, and in some cases, it's
been a bit of a godsend as a couple of bobbins have tiny little burrs in the
tip of the head that catch threads they're unwound.  A couple of antiques
also have 'notches' and so threads tend to unhitch and unwind (really
annoying during tally work).

All of my cover cloths are hemmed, and I have a variety of types of hemming.
Some are a simple overlocked rolled hem and that seems to work well for the
most part, although some of the finer threads pick up some fluffies at times
from the edge; a couple are taffeta with a hem and a decorative scalloped
straight stitch - no fluffies to catch on the thread, but the stitching
might be a little abrasive due to its tension; a couple have just a straight
hem or selvage (again a little abrasiveness on the selvage); and one or 2
that have 2 cloths stitched together, so all seams are internal, and these
seem to have the least amount of abrasiveness.

I wonder if shredding thread is a combination of many things, that maybe
varies according to type of lace?  Do laces with tallies seem more likely to
suffer the shredding than laces without?  If it's in one place is that
representative of multiple retrolacings/undo-redo's?  I would also suspect
that climate, age of thread, and quality of the batch would come into play.
I usually don't have a problem with the threads parting or shredding, but I
remember 1 thread I used for a project was just awful - and I think it was
when I was still in Australia, and it was a drier than normal summer (and
Denver is the driest place I've ever lived in, with 6-8% relative humidity
in the summers). 

It's quite a complex issue, and fascinating to follow.

Cheers,
Helen, in Duvall, WA

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