Great point, Adele, and I do have to agree (even though I know I said it was
a conundrum of quantity v quality) - speed doesn't necessarily have to
equate to lower quality.

For some it does, and some it doesn't.

I love watching Cake Boss - the cakes are just beautiful and when they are
frosting cupcakes or  piping cakes (like the buttercream roses), they work
fast and sure and the results are gorgeous.  Other things like the Drop
lines take a little slower hand, but experience rules the hand and the
results are precise.

It's the same with lacemakers.  Some things come faster, and if you're in
the zone, they come easily and neatly, especially with experience and
practice.

I for one, have days when I'm in the zone, and make neat lace, and there are
days when I'm not, and 'haste makes waste', with either errors or messy
tallies that need to be undone and reworked.  On those days, when it's not
working, I pack it in for the day, and come back to it another day.

My fingers aren't anywhere near as swift as other lacemakers (and yes, I'll
look at other lacemakers and marvel at their speed of work), even though I'm
not old (at least, I don't consider myself as old :-) ), but I do have many
years of experience.  So manipulating the bobbins is kind of an automatic
thing for me, and I'm sure when I'm at a demo, people watching me think I
work fast.  But, I do slow down my rate of progress with an unfamiliar
pattern or stitch or when I have to think about how to complete an element.
I might still be manipulating my bobbins at the same speed while working my
cloth, half and double half stitches or legs and picots, but my progress (ie
how much I actually make) will be slower at times.  I'm OK with that - it's
how I work.

And yes, like Clay, I've had some projects that look enticing at first, but
then lose something along the way and I'm just ready to chop it off or be
done with it (haven't we all?).  I finished one project earlier this year
that took me 9 1/2 years to complete.  It took 7 years to do the first 1/4
of the piece because it wasn't as straightforward as it looked, and it was
as frustrating as all get out.  It nearly got chopped off more times than I
can count.  But I got to a point where I decided I was going to win, and a
couple of epiphanies later, it's done.  It's on display in a glass top
table, but it's funny how the numerous remotes hide it  and I kind of forget
about it at times.  Hmmmmm :-)

And we come back to horses for courses.

For some, there will be a need for speed, and for some, a chance to smell
the roses, and for others a combination of both at times.

There's nothing wrong with working fast, and there's nothing wrong with
slow.

It's what works for the lacemaker, and there are so many wonderfully
different ways that we all work.

Cheers,
Helen, Duvall, WA

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