PROTEST TOOLS

_This is an all-out war at this point, and it is amazing to me that
in the face of body armour, batons, grenades, gas, pepper spray,
rifles, and what is pretty much a tank, we are defending ourselves
with only wetted bandanas, swim goggles (if you're lucky), baking
soda, water solutions, and solidarity._ Anonymous account of the
Seattle protests, 1999

How can people respond when they are faced with the full military
onslaught of the police state? The rules have changed. The military
has brought fear weapons into the city and protest is now forced to
take place in public spaces meticulously designed to offer no
protection to demonstrators. Protest has to choose whether it is
prepared to give up the street and retreat into remote politics. Its
only alternative appears to be the development of new tools and
tactics that allow protest to survive in the street. In response to
the first generation of anti-crowd weapons people used simple
defensive tools to try to protect their own bodies. Now with the
second generation being introduced we need to move away from weak
personal tools towards active, collective tactics. While the police
have abandoned any attempt to hide their militarisation the
protesters must be seen to maintain the rules of the 'game'. Any new
tool needs to tread the subtle balance between humorous provocation
and serious confrontation.

_We need more tools of non-lethal defence; baton grabbing jaws and
giant magnets, tennis bats for returning tear gas, interlocking
shields, itching powder grenades, stink bombs, cream pies laced with
stinging chemicals, poo cannons, urine holding tanks connected to
hand pumps and hoses!_ Anonymous protester mailing list

[Photo Caption] Naples, March 17th 2001. Giant Plexiglas shields and
foam rolls are used to push back the Italian police lines. In
desperation the police are forced to use their rifles as crude clubs.
In order to sustain baton and projectile blows the shield must be at
least 1.5 cm thick. Leather straps and ropes affixed to one side act
as handles.

Barriers

_We march with a mission and should those in power order others to
stop us, we have a right to defend our bodies as much as our
message._ Bodyhammer Manual, 2001

In the last couple of years shields, helmets, armour and large
barriers have started to emerge on the protester side. Made of foam,
inflatable rubber, tarpaulin and other soft materials these tools
have become DIY versions of ancient armour made for the physical
contest of the modern street. Once stacked together in a roman
tortoise formation the tools create a communal barricade that offers
safety from riot batons and non-lethal projectiles. By interlinking
arms and tightly grabbing the handles of the barrier the combined
body weight of the crowd can be brought to bear against the police
lines. Any technological advantage the police may have had is
neutralised as the conflict becomes a proto-democratic scrum of
pushing and shoving. Crucially the barrier acts as a psychological
tool as well as a physical blockage. Activists who have used the
tactic comment that the shield wall becomes a visual divider that
blocks the sight of individuals on both sides and thus depersonalises
the conflict into two opposing forces. Being unable to see each other
all personal aggression is nullified. As the human wall of
polypropylene starts to push through the police lines, accounts tell
of individual officers becoming isolated and panicking. Routeing,
they break their own lines and try to reform in small defensive
circles.

[Photo Caption] Genoa. This example of police brutality illustrates
well the central need for close cooperative crowd tactics. Once
isolated the individual can easily be overwhelmed.

_People can see images on the TV news that can't be manipulated: a
mountain of bodies that advances, seeking the least harm possible to
itself, against the violent defenders of an order that produces wars
and misery. And the results are visible, people understand this, the
journalists can't invent lies that contradict the images; last but
not least, the batons bounce off the padding._ Ya Basta - White
Overall Movement.

Mayday 2001, London

We are still trapped in Holles Street. Walking through the crowd I
bump into a man carrying his crying daughter. He tells me that he was
one of the drummers from the samba band when the police pushed back
the crowd and frightened his daughter.

Now he wants to get out. Bringing the band together they decide to
coordinate the crowd and push through the ranks of riot police. It
had worked earlier in the day enabling them to break multiple police
cordons until we all finally got trapped here by the mounted police.
While it's impossible to push against horses we should be able to
push though the double row of riot police behind us. The band leader
motions to the band. Drums start beating, the crowd cheer and we
begin to move.

Coordination

_The critical aspect to moving in any shield wall formation is
unison. While demonstrators would discourage any individual to
marshal a march, a form of organisation is necessary._ Bodyhammer
Manual, 2001

The human barrier is only effective as long as it remains unbroken,
which requires considerable coordination and organisation. The
dilemma is how to achieve this unison without adopting the kind of
rigid hierarchical systems used by the military style opposition.

_Unless it is possible to prepare and practice these tactics ahead of
time, the best way is the use of simple commands that can be shouted,
including warnings of what is ahead for those who cannot see. For
keeping tight in a march at any pace, the best method is a drum near
the front [...] or the calling off of steps,, one, two, one, two..._
Bodyhammer Manual, 2001

The protest manual proposes a system where every member is forced to
take responsibility for themselves as well as the group. Command has
become an autonomous system with no overall control. This anarchic
method still allows complex coordinated manoeuvres to be carried out
because the crowd is united by a regular internal stepping rhythm.
Mobile samba bands work tightly with the crowd to provide the
necessary timekeeping drums. The polyrhythmic structure of samba
consists of many rhythms played by separate parts of the band and the
'beat' only emerges from the way these rhythms engage and communicate
with each other. Samba offers a concrete vision of the relationship
between the individual and the group where the individual is not
forced to compromise their identity, but rather the collective only
functions because of its internal counterpoints. Protest samba in
particular emphasises this call and response relationship and
externalises it to become an interaction between the drums and the
crowd who participate by shouting, cheering and whistling. Rather
than functioning as listening music, this is a mobilising sound which
aims for a functional hybrid between marshal drums and a
participatory carnival.

Community

_Marching aimlessly about on the drill field, swaggering in
conformity with prescribed military postures, conscious only of
keeping in step so as to make the next move correctly and in time,
somehow felt good. Words are inadequate to describe the emotion
aroused by the prolonged movement in unison that drilling involved. A
sense of pervasive well-being is what I recall; more specifically, a
strange sort of personal enlargement; a sort of swelling out,
becoming bigger than life, thanks to participation in collective
ritual._ William H. McNeill, 1995

Moving in unison inspires a sense of collectivism amongst all crowds.
While the military use this physical sensation of drill to establish
hierarchical obedience, for the protesters physical coordination is
often the first collective experience which sparks off further
personal involvement. The contemporary sociologists John Drury and
Steve Reicher argue that protest crowds form through a 'simultaneous
co-occurrence of social determination'. Contrary to Le Bon, they
argue that the individual does not lose their identity in the crowd
but actively gains a common social identity with the group. In 1997
they interviewed a cross section of protesters at the 'No M11'
campaign and found that the people were split into two groups. The
first group had no previous experience of protests and thus shared a
general perception of the police as upholding their right to protest.
The second group with extensive experience of the police had no
expectation of police restraint. Based on post-event interviews, the
researchers argue that participation in the protest caused a
verifiable transformation in the novice group. They suggest that this
occurred through two mechanisms: firstly, by witnessing police
brutality, people's illusions about the role of the police were
dispelled, and secondly, through acting oppositionally, protesters,
to their own surprise, started to perceive themselves as
oppositional. Disguised by the language of sociology, the two
researchers actually present an empowering vision of transformation
through physical participation. The implication is that emotional
action prefigures a rationalisation of one's own position, and that
by working closely with the full range of people in the crowd, the
individual has become more sympathetic towards radical sentiments
that they would have previously rejected.

_I went home to make a cup of tea and I was shaking. I mean, you
don't expect [the police to be violent ], do you? But then you don't
expect someone like me to be someone who kicks fences, do you? But
things change._ Anon at the 'No M11' campaign

Mayday 2001, London

We have been here for many hours now and everybody is getting
restless. Our earlier attempts to push though the police cordons had
only resulted in people being hit with riot batons. One guy with a
bleeding head-wound was not even allowed to leave the cordon to get
medical attention.

Everybody is feeling seriously frustrated. Two people manage to
shimmy up the 'turn left' sign and climb onto the low roof of the
John Lewis shop. The crowd respond by cheering and encouraging them
on. They grab the CCTV camera mounted on the side of the building and
pull until it begins to give. It swings loose, attached only by the
mains electricity cable. They find a Stanley knife lying on the roof
and with one spark-filled cut yank the camera free. A huge sustained
cheer reverberates throughout the whole street. The camera has been
turned on the police.

[Photo Caption] Mayday 2001, near Oxford Street. A riot police
officer stands helpless in front of the £50,000 Jaguar he has failed
to protect from 'vandalism'.

Trashing

Property damage has always been a controversial aspect of protest as
it has often been perceived as the unwanted byproduct of 'democratic'
protest. Yet the systematic and principled tactic of property
destruction has its own distinctive history. The Peasants 'Revolt in
1381 saw protesters attacking carefully selected palaces and grand
houses in order to methodically demolish them. Their aim was to
destroy oppressive property rather than to loot, so all that which
could not be smashed or burned was thrown into the river while the
empty shells of the buildings were blown up. One account tells of a
rioter being found by his comrades to have kept a silver goblet for
himself, and was subsequently killed for doing so.

Today, disciplined property damage is considered a valid tactic by
the pacifist 'Swords to Ploughshares' movement. In their most
remarkable action, four women managed to break into a British air
force base and attack a Hawk ground attack aircraft causing £1.6
million worth of damage in order to prevent it from being exported to
Indonesia, where it would have been used to continue the genocide
being committed in East Timor. The event generated a huge public
outcry at the British arms export policy which culminated not only in
the policy being changed but also in the women's actions being
publicly vindicated. The Seattle anti-globalisation protests in 1999
highlighted a different kind of organised property damage. During the
protests a number of Black Bloc groups strategically avoided
confrontations with the police in order to concentrate purely on
their real corporate targets: GAP, Nike, Levi's, McDonald's,
Starbucks, Warner Bros etc.

_When we smash a window, we aim to destroy the thin veneer of
legitimacy that surrounds private property rights. At the same time,
we exorcise that set of violent and destructive social relationships
which has been imbued in almost everything around us. We contend that
property destruction is not a violent activity unless it destroys
lives or causes pain in the process. By this definition, private
property -- especially corporate private property -- is itself
infinitely more violent than any action taken against it. [...] By
destroying private property, we convert its limited exchange value
into an expanded use value. A storefront window becomes a vent to let
some fresh air into the oppressive atmosphere of a retail outlet._
ACME Collective, Seattle N30

Reaching up to grasp the golden arches feels strange. The yellow
plastic is hollow and flimsy not like I had expected. The bottom of
the M has been shaped with just enough depth to get a proper
handhold. I pull myself up and fold my legs around the object. I am
swinging free, suspended from the world's most famous brand. For one
moment a corporate symbol solidified as a physical entity that could
be grasped and ripped down. For a split second a solution appeared, a
direct way of dealing with the amorphous nature of global capital.
Frustrated at the lack of corporate accountability, these destructive
tactics aim to create economic pressure, but more importantly
generate a sense of personal and public empowerment. Even these minor
displays demonstrate the potential for real transformation outside
the narrow constraints of symbolic protest. Spaces, property and
institutions that previously seemed distant and inviolatable suddenly
reveal their vulnerability. Even things written in stone can be
transformed.

_After N30, many people will never see a shop window or a hammer the
same way again. The potential uses of an entire cityscape have
increased a thousandfold._ ACME Collective, Seattle N30

We have been trapped here for eight hours and everybody is numb with
the cold and boredom. The police have managed to frustrate and
intimidate us but they haven't won.

By trapping us together they have forced the crowd to focus inwards
and get us to talk to each other. Looking round the street I see
people huddled together in little groups. These kind of temporary
connections will remain as networks long after we have left this
street. Plans are already being made for the next protest when they
will bring their own camping gear so that when they get trapped again
they will be more comfortable than the police. Finally the police
decide to let us go in ones and twos, making us squeeze in between
the their lines of spotters. One woman waits patiently behind the
police cordon giving out hot tea to everybody. She had been watching
us on the television all day and felt sorry for us.

Cracks

On April 14th 1831 the Sixtieth Rifle Corps was crossing the
Broughton Suspension Bridge near Manchester when suddenly an accident
occurred. The troops had been marching in unison following standard
army procedure when suddenly the bridge collapsed from underneath
them. They had been oblivious to the fact that their marching was
causing the bridge to vibrate in a very exaggerated manner leading
ultimately to its collapse. This incident gave rise to a military
order which remains even today: 'Break step' -- to walk out of sync
-- when crossing bridges.

Over 150 years later the newly built Millennium Footbridge in London
named the 'Blade of Light' has a strangely similar problem. As the
public arrived on the opening day and first walked across the bridge,
it immediately reacted by swaying horizontally by up to 70mm. While
the bridge designers maintained that there was no danger of collapse,
the discomfort caused by crossing the bridge proved so severe that
the structure had to be closed after only two days. While neither as
dramatic or destructive as the Broughton incident the same phenomena
was at work. Every structure and object has a unique resonant
frequency also known as its natural frequency which is determined by
its material, shape, size and support. The impact of people's feet
produced rhythmic forces that happened to coincided with the
structure's own unique frequency, causing it to react so intensely.
The designers of the Millennium Footbridge had used statistical
surveys and computer simulations to predict the speed and force of
the crowd and had built a considerable safety margin into their
design. Their crucial mistake was to misunderstand how people
interact. Textbook studies and guidelines only ever consider very
small numbers of pedestrians walking or running in step. What
occurred in reality, was that hundreds of people arrived at the newly
opened bridge in little groups. Within each friendship-group the
people were chatting with each other and so naturally walking in step
with one another. This communal walking created just enough vibration
for the bridge to sway very slightly. What the designers had not
expected was that all the separate groups found it most comfortable
to coordinate with the main sway of the bridge creating one huge
united group composed of hundreds of individuals. Incredibly, this
force of hundreds of simultaneous footfalls happened to coincide with
the natural resonant frequency of the bridge causing it to react so
strongly. The bridge builders made some futile suggestions designed
to break up the crowd by limiting the number of people allowed on the
bridge or forcing them to undergo an obstacle course with bollards.
Neither of these suggestions was going to be able to control the raw
force of the crowd so the bridge was quickly closed and a major
redesign started.

[The Millennium Footbridge] cost far more than a simple bridge
crossing the Thames, it's a symbol, isn't it, not just a bridge; it
symbolises London and the millennium and ambition. Robert Benaim,
engineer, 2000

[Photo Caption] Albert Bridge, London. After the collapse of the
Broughton Suspension Bridge signs were erected at all vibrationally
vulnerable bridges. Albert Bridge has a centre span of 55.5 metres
which means its resonant frequency matches exactly the average
walking frequency of 2Hz.

<http://www.mobilevulgus.com/book/protestors.pdf>
--
Yoshie

* Calendar of Events in Columbus:
<http://www.osu.edu/students/sif/calendar.html>
* Anti-War Activist Resources: <http://www.osu.edu/students/sif/activist.html>
* Student International Forum: <http://www.osu.edu/students/sif/>
* Committee for Justice in Palestine: <http://www.osu.edu/students/CJP/>

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